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Creators:
Wilbur H. Burnham Studios
Dates:
circa 1904-1991
Size:
35.9 Linear feet
Collection ID:
AAA.wilbhbur
Repository:
Archives of American Art

The records of nationally renowned Boston, Massachussetts, stained glass design company, Wilbur H. Burnham Studios, measure 35.9 linear feet and date from circa 1904-1991. The majority of the collection consists of project files for the studio's stained glass window contracts throughout the United States from the 1920s-1980s. In addition to project files, records include biographical material for the owners, correspondence relating to personal and studio business, general business and financial records, writings such as published articles by Wilbur H. Burnham, scrapbooks and other printed material documenting the history of the company, artwork including extensive watercolor design studies for stained glass, and photographic material.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 Flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Isaacs, Reginald R., 1911-
Dates:
circa 1842-1991
bulk 1928-1991
Size:
22.54 Linear feet
Collection ID:
AAA.isaaregi
Repository:
Archives of American Art

The papers of Reginald R. Isaacs measure 22.54 linear feet and date from 1842 to 1991, with the bulk of the material from 1928 to 1991. The collection includes Isaacs's personal and professional papers, as well as extensive research material he collected and created for his two-volume biography, Walter Gropius: The Man and His Work.

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Creators:
White, Charles, 1918-1979
Dates:
1933-1987
bulk 1960s-1970s
Size:
12.9 Linear feet
Collection ID:
AAA.whitchar
Repository:
Archives of American Art

The papers of Los Angeles painter, printmaker, and educator, Charles W. White, measure 12.9 linear feet and date from 1933 to 1987, with the bulk of the material dating from the 1960s to the 1970s. The collection contains biographical material, including a sound recording of an interview with White; personal and professional correspondence; writings by White and others about his philosophy of art, his life, and career; professional files documenting White's participation in a variety of boards, committees, juries, symposiums, professional projects, and commissions; teaching files documenting White's tenure at Otis Art Institute; extensive printed material charting White's career from the 1930s until his death; scrapbooks primarily documenting his early career; and a small series of photographs.

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Creators:
MacDowell, Helen Sandford, 1889-
Pease, L.F.
Prince, Georgiana K., 1861-1915
Sandford Greeting Card Company
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Dates:
1831-2004
Size:
8 Cubic feet (37 boxes)
Collection ID:
NMAH.AC.1252
Repository:
Archives Center, National Museum of American History

Collection documents the business activities of the Sandford Card Company and include the papers of Mary Elizabeth Sandford, founder of the company, and her immediate family.

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Creators:
National Visionary Leadership Project
Dates:
June 4, 2003
Size:
0.25 Linear feet (1 box)
5 Video recordings (5 VHS 1/2" video recordings)
Collection ID:
ACMA.09-005
Repository:
Anacostia Community Museum Archives

This collection contains five videotaped oral history interviews conducted in partnership with the National Visionary Leadership Project and the Anacostia Community Museum's Education Department in 2003. Interviewees include Georgette Seabrooke Powell,William Langford,Louise Daniel Hutchinson, Jeannine Clark, and Charles H. Clark.

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Creators:
UNESCO
Dates:
circa 1961-2006
Size:
27 Boxes
Collection ID:
CFCH.UNES
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, which dates from circa 1961-2006, contains audiorecordings from the UNESCO Collection of Traditional Music of the World, as well as related business records. Includes recordings of tradition and sacred music from Benin, Cameroon, Central African Republic, Côte d'Ivoire, Ethiopia, Madagascar, Malawi, Niger, Sudan, Argentina, Bolivia, Brazil, Chile, Cuba, Peru, Afghanistan, Australia, Cambodia, China, Korea, the Solomon Islands, India, Bali, Java, Japan, Laos, Mongolia, Uzbekistan, Pakistan, Thailand, Vanuatu, Vietnam, Algeria, Bahrain, Egypt, Iraq, Morocco, Oman, Syria, and Turkey.

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Creators:
Shropshire, Walter. interviewee
Size:
18 audiotapes (reference copies).
Collection ID:
Record Unit 9597
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Washburn, Wilcomb E.
Dates:
1956-1997
Size:
23.19 cu. ft. (22 record storage boxes) (1 document box) (1 16x20 box)
Collection ID:
Accession 97-093
Repository:
Smithsonian Institution Archives

This accession consists of materials that document aspects of the personal life and career of Wilcomb E. Washburn (WEW) and were removed from his home after his death. The largest single group of papers deals with Washburn's membership in various organizations and societies. There is also substantial information on a projected biography o...

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Creators:
Cahill, Holger, 1887-1960
Dates:
1910-1993
bulk 1910-1960
Size:
15.8 Linear feet
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.

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