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Creators:
Ehricke, Krafft, 1917-1984
Dates:
1949-1984
Size:
124.9 Cubic feet
Collection ID:
NASM.2003.0025
Repository:
National Air and Space Museum Archives

This collection is composed of Krafft Ehricke's files including Ehricke's published and unpublished papers as well as papers and works by others that Ehricke gathered, presumably as reference material.

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Creators:
Archives Center, NMAH, SI.
Gay Officers Action League. GOAL
Becker, John M.
Gay Officers Action League. GOAL
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Dates:
1825-2020, undated
bulk 1960-2019
Size:
60 Cubic feet (181 boxes, 20 map-folders)
Collection ID:
NMAH.AC.1146
Repository:
Archives Center, National Museum of American History

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

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Creators:
Smithsonian Astrophysical Observatory. Satellite Tracking Program
Dates:
1953-1968
Size:
41 cu. ft. (82 document boxes)
Collection ID:
Record Unit 263
Repository:
Smithsonian Institution Archives

This record unit consists mostly of records documenting the administration and operation of the STP tracking stations and includes files on the stations kept by the Photographic Observation Section, 1956-1961; SOD, 1961-1965; and STADAD, 1965-1968. The station files consist of incoming and outgoing correspondence and memoranda, reports, a...

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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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Creators:
Borglum, Solon Hannibal, 1868-1922
Dates:
1864-2002
Size:
11.5 Linear feet
Collection ID:
AAA.borgsolo
Repository:
Archives of American Art

The Solon H. Borglum and Borglum family papers date from 1864 to 2002 and measure 11.5 linear feet. The collection documents Solon Borglum's personal life and his career as a sculptor specializing in Western themes through biographical material, family and general correspondence, writings and notes, research for his biography, financial and business letters, printed material, photographs and artwork.

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Creators:
Richenburg, Robert
Dates:
circa 1910s-2008
Size:
5.3 Linear feet
4.32 Gigabytes
Collection ID:
AAA.richrobe
Repository:
Archives of American Art

The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet and 4.32 GB. Biographical material, correspondence, subject files, writings, sound and video recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Fishback, Glen Curtis, 1912-1976
Glen Fishback School of Photography.
White, Judy
Ansco.
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Dates:
1930-1976
Size:
27 Cubic feet (101 boxes, 6 map-folders)
Collection ID:
NMAH.AC.0714
Repository:
Archives Center, National Museum of American History

Original photographic negatives, prints (black-and-white and color), and color slides and transparencies by Fishback, reflecting his career in advertising, calendar, and editorial photography; drafts of articles and correspondence by Fishback (typescripts), and incoming correspondence; copies of publications, such as magazines and annual reports, w...

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Creators:
Associated American Artists
Dates:
circa 1934-1983
Size:
55 Linear feet
Collection ID:
AAA.assoamea
Repository:
Archives of American Art

The records of the Associated American Artists measure 55 linear feet and date from circa 1934 through 1983. The organization was founded in 1934 to stimulate interest in prints throughout the United States by promoting the sale of prints through department stores and other venues. Later, other genres of works of art were added and the department store abandoned in favor of a New York headquarters. The records contain voluminous files on artists; dealers, galleries, and museums; and clients. Also found is business correspondence, financial records, sales and exhibition catalogs, thirteen dismantled scrapbooks, and posters.

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Creators:
Lincoln, Abbey, 1930 -
Adderly, Nat, 1931-
Wilson, Nancy, 1937-
Mbulu, Letta
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Dates:
1916-2010, undated
Size:
23.6 Cubic feet (96 boxes)
Collection ID:
NMAH.AC.1221
Repository:
Archives Center, National Museum of American History

The collection documents Levy's short career as a musician, his longer career as a manager, and the careers of some of his clients. The client most well represented in the collection is Nancy Wilson, with recordings, photographs, correspondence, financial statements, and contracts included. Papers relating to other clients include business records ...

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