[ ]
Collapse
[ ]
Expand
Creators:
Gillespie, Dizzy, 1917-1993
Fishman, Charles
Dates:
1941-2006
bulk 1987-1993
Size:
20 Cubic feet ( 31 boxes, 2 map folders)
Collection ID:
NMAH.AC.0979
Repository:
Archives Center, National Museum of American History

Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Collection of Fine Arts. Office of Exhibition and Design
Dates:
1963-1973
Size:
23 cu. ft. (46 document boxes)
Collection ID:
Record Unit 314
Repository:
Smithsonian Institution Archives

These records include research, correspondence, and photographs concerning the design and installation of exhibitions; information on national art conferences; Harry Lowe's correspondence as curator of exhibits; correspondence with art galleries, museums, and private collectors who loaned art work to NCFA; exhibition schedules and research ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of History and Technology. Office of the Director
Dates:
1944-1975
Size:
51 cu. ft. (102 document boxes)
Collection ID:
Record Unit 276
Repository:
Smithsonian Institution Archives

These records partially cover the administration of Alexander Wetmore and A. Remington Kellogg as directors of the United States National Museum; more fully the tenures of Frank A. Taylor, John C. Ewers and Robert P. Multhauf, as directors of the Museum of History and Technology (MHT); and Daniel J. Boorstin and Brooke Hindle, as directors ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Di Mare, Dominic, 1932-
Dates:
1950-2003
Size:
3.2 Linear feet
Collection ID:
AAA.dimadomi
Repository:
Archives of American Art

The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1989
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1989
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Constable, W. G. (William George), 1887-1976
Dates:
1905-1983
bulk 1920-1976
Size:
25.7 Linear feet
Collection ID:
AAA.conswmgp
Repository:
Archives of American Art

The papers of art historian and museum curator W.G. (William George) Constable measure 25.7 linear feet and date from 1905 to 1981, with the bulk of the material from 1920 to 1976. The papers include biographical material; professional and personal correspondence; extensive lectures, writings, and notes; exhibition and book research files; printed materials; and photographs, glass plate negatives, and slides. There is substantive correspondence related to Constable's participation in the American Defense Harvard Group and about the formation of the Roberts Commission, including correspondence with Ralph Perry, Hugh Hencken, Paul Sachs and George L. Stout. There are numerous official reports prepared by Constable after World War II for the U. S. Office of Military Government for Germany.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Freeman, Ethel Cutler, 1886-1972
Dates:
1934-1972
Size:
61.03 Linear feet (114 boxes)
Collection ID:
NAA.XXXX.0166
Repository:
National Anthropological Archives

Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Chernow, Burt
Dates:
1930-2002
Size:
21.8 Linear feet
Collection ID:
AAA.cherburt
Repository:
Archives of American Art

The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.

Found In