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Creators:
Smithsonian Institution. Office of Equal Opportunity
Dates:
1983-1984
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 88-149
Repository:
Smithsonian Institution Archives

This accession consists of administrative files maintained by the Office of Equal Opportunity Director during the fiscal year 1984.

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Creators:
Smithsonian Institution. Office of Equal Employment and Minority Affairs
Dates:
1988-1991
Size:
2.5 cu. ft. (2 record storage box) (1 document box)
Collection ID:
Accession 94-047
Repository:
Smithsonian Institution Archives

This accession consists of the central files of the Office of Equal Employment and Minority Affairs (OEEMA) for fiscal years 1990 and 1991, although some records date from 1988. They include correspondence and memoranda exchanged between the OEEMA director and staff and Smithsonian Institution (SI) management and bureaus, other government ...

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Dates:
circa 1976-1987
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Record Unit 572
Repository:
Smithsonian Institution Archives

These records consist of the general correspondence of the Office of the Editor, as well as correspondence with authors and readers. Peter Braestrup served as Editor, 1976- .

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Creators:
Volk, Leonard Wells, 1828-1895
Volk, Douglas , 1856-1935
Dates:
circa 1858-1965
2008
bulk 1870-1935
Size:
12.4 Linear feet
Collection ID:
AAA.volkleon
Repository:
Archives of American Art

The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Page, William, 1811-1885
Dates:
1815-1947
bulk 1843-1892
Size:
11.06 Linear feet
Collection ID:
AAA.pagewill
Repository:
Archives of American Art

The papers of the portraitist and art theorist William Page and the Page family measure 11.06 linear feet and date from 1815 to 1947, bulk 1843-1892. In addition to the papers of William Page, the papers include documents related to Page's wife's career as a writer and records documenting their personal lives and the lives of their family members. Types of documents found include personal documents and artifacts, correspondence, essays, lectures, diaries, poems, notes and notebooks, financial records, legal records, published works, clippings, catalogs, photographs, and artwork.

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Creators:
Cahill, James, 1926-2014
Dates:
1945-1996
Size:
12 Linear feet
Collection ID:
FSA.A2001.11
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers created by Asian art historian, curator, and collector Dr. James Francis Cahill. Includes personal and professional correspondence and project files documenting his many publications, lectures and activities in the Asian art field. Documents span his early career at the Freer Gallery of Art, where he served as curator of Chinese art from 1957-1965, and his tenure 1965-1994 as Professor of the History of Art at the University of California, Berkeley.

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Creators:
Messmore, George Harold
Messmore and Damon Company
Damon, Joseph
Dates:
1892 - 1998
Size:
16 Cubic feet (40 boxes)
Collection ID:
NMAH.AC.0846
Repository:
Archives Center, National Museum of American History

The records document Messmore and Damon's work in the design and construction of parade floats, museum dioramas, exhibitions, displays and scenery. The materials include business records, photographs, patents, scrapbooks, promotional materials, sound recordings and moving image.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1871-1925
Size:
6.79 Cubic feet (consisting of 11 boxes, 2 folders, 10 oversize folders, 3 map case folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Photography
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Photography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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