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Creators:
Kazanjian, Dodie, 1952-
Dates:
1949-2017
bulk 1980-2017
Size:
14.1 Linear feet
0.546 Gigabytes
Collection ID:
AAA.kazadodi2
Repository:
Archives of American Art

The papers of writer and art critic Dodie Kazanjian measure 14.1 linear feet and 0.546 GB, and date from 1949-2017, bulk 1980-2017. The collection is comprised of writings, interviews, and research material related to Kazanjian's career as an art writer for Vogue and House and Garden magazines. Included are manuscripts, correspondence, notes, printed material, photographs of artwork, and interviews with various artists and art world figures. The interviews were conducted by Kazanjian as part of her research process and were recorded on over 230 sound cassettes found in the collection. Many of the interviews are also transcribed. A small amount of born-digital material includes images of artworks and artists and audio recordings of interviews.

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Dates:
1928-2008
bulk 1945-1982
Size:
6.15 Cubic feet (consisting of 10 boxes and 1 flat box.)
Collection ID:
FSA.A2019.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Helen D. Ling Papers, dating from 1928-2008 with the bulk of material dating from 1945-1982, measure 6.15 cubic feet and include biographical material, research, writings, correspondence, printed material, and audiovisual material related to Ling's life and work as a collector and dealer of Asian art.

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Creators:
Goings, Ralph
Dates:
circa 1950-2008
Size:
4.1 Linear feet
Collection ID:
AAA.goinralp2
Repository:
Archives of American Art

The papers of California Photorealist painter Ralph Goings, measure 4.1 linear feet and date from circa 1950 to 2005. The collection is comprised of biographical material, professional correspondence with artists, dealers, museums, and other art organizations, project files, inventory and sales records dating from 1970 to 1975, and printed material featuring Goings and his artwork. There is a 1.7 linear foot unprocessed addition to this collection donated in 2020 that includes slides and photographs used for paintings (source material and subjects) and images and photographs of works of art; inventory of works of art; correspondence; and project and exhibition files. Materials date from circa 1957-2008. A portion of the addition is in electronic format.

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Creators:
Tremaine, Emily Hall, 1908-1987
Dates:
circa 1890-2004
Size:
8.9 Linear feet
Collection ID:
AAA.trememil
Repository:
Archives of American Art

The papers of art collector Emily Hall Tremaine measure 8.9 linear feet, date from circa 1890 to 2004, and document the development of Tremaine's seminal collection of modernist, pop, and contemporary art. The papers comprise biographical material including a sound recording, personal correspondence, art collection files, artist files, exhibition loan files including a video recording, and reproduction request files. Also found are two scrapbooks documenting Tremaine's first marriage to Baron Maximilian von Romberg; and photographs of Tremaine, her family and friends, and works of art from her collection.

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Creators:
Claussen, Pete
Dates:
1941-1943
Size:
7 Cubic feet (21 boxes)
Collection ID:
NMAH.AC.0860
Repository:
Archives Center, National Museum of American History

American magazines and magazine covers dating from 1941 through 1943 with illustrations of the American flag collected and donated by Pete Claussen.

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Creators:
Reid, Robert, 1862-1929
Dates:
circa 1880-circa 1930
Size:
0.9 Linear feet
Collection ID:
AAA.reidrobe
Repository:
Archives of American Art

The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.

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Creators:
Cooper-Hewitt Museum
Dates:
1881, 1895-1976
Size:
56 cu. ft. (56 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 267
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
True, Frederick William, 1858-1914
Dates:
circa 1886-1910
Size:
2 cu. ft. (4 document boxes)
Collection ID:
Record Unit 7181
Repository:
Smithsonian Institution Archives

This record unit contains correspondence of Frederick William True with zoologists, naturalists, museum officials, Smithsonian administrators, and friends concerning specimens, publication of manuscripts, exhibitions, his trip to the Pribilof Islands in 1895, and USNM affairs. Also included are files concerning the preparation of exhibits, ...

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Creators:
Cooper-Hewitt Museum. Department of Exhibitions
Dates:
1969-1992
Size:
25 cu. ft. (25 record storage boxes) (oversize materials)
Collection ID:
Record Unit 531
Repository:
Smithsonian Institution Archives

These records document the conceptualization, development, design, and execution of several exhibitions held by the Cooper-Hewitt Museum from 1973 through 1992, and of exhibitions rejected or cancelled by the museum. Exhibition files include proposals; research files; correspondence with object lenders, scholars, and exhibition designers; ...

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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