The bulk of these records document the administration and activities of Brown's office from 1991 to 1992, although some files were created in 1989 while she was still at the Brooklyn Museum and some extend into 1993. Subject files were created for administrative matters; Smithsonian staff, bureaus, and offices with which Brown had contact …
The Historical Records of the Barnett-Aden Gallery
The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.
Smithsonian Memories Project, Festival of American Folklife Oral History Interviews
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program …
Edith T. Martin papers
The collection, which dates from 1961 to 2004 and measures 11.16 linear feet, documents the career of artist, curator, and museum technician Edith T. Martin. The papers in the collection include education documents, professional correspondence, sketches, promotional material, news clippings, newsletters, catalogues/magazines from exhibits and arts organizations, and exhibit photographs and slides.
Lonnie G. Bunch Papers
The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, notes …
White, Edmunds, and Fallen Family Papers
Collection documents the personal and working lives of tenant farmer Julius Lee White, who worked on a tobacco farm in Ringgold, Virginia, and those of his extended family.
Marriage Records of the Office of the Commissioner, Washington Headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1861–1869
This collection is comprised of digital surrogates previously available on the five rolls of microfilm described in the NARA publication M1875. These digital surrogates reproduced marriage records of the Office of the Commissioner, Washington headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1861–1869. These records consist of unbound marriage certificates, marriage licenses, monthly reports of marriages, and other proofs of marriages.
Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982 (Volume …
This accession consists of exhibition records created by Spencer R. Crew during his tenure as curator in the Division of Community Life, and later, as Director of the National Museum of American History. The records document planning for the exhibitions Field to Factory: Afro-American Migration, 1915-1940 and Go Forth and Serve …
James Faris papers
James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.