This collection consists of grant audits, progress reports, correspondence and travel files. See Record Unit 180 for similar materials.

The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.

The papers of jewelry designer and metalsmith Miye Matsukata measure 13.45 linear feet and date from circa 1900 to 1982, with the bulk of the material dating from 1964 to 1981.The papers include correspondence, interviews, journals, writings and lectures, exhibition files, Janiye business records, printed materials, scrapbooks, artwork, sketchbooks, and photographic materials that document Matsukata's work as a jeweler and owner of Janiye, an atelier located in Boston, Massachusetts.

This accession consists of records documenting the planning and design of exhibitions at the Cooper-Hewitt, National Design Museum. The majority of the material consists of images of objects on loan or considered for loan to the museum for unspecified exhibitions. The remainder of the material includes correspondence, checklists, label text, ...

This accession consists of records created and maintained by Milo Cleveland Beach, Director, documenting relations between the Freer Gallery of Art and Arthur M. Sackler Gallery and foreign countries. Materials include correspondence and enclosures.

The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.

This accession consists of records documenting the curatorial activities of Ann Clyburn Gunter, Associate Curator, 1994-2008. Curatorial activities documented in this accession include organizing symposiums, collecting objects, and writing articles. Materials include memoranda, correspondence, notes, pamphlets, articles, newsletters, participa...

These records document "Airlift" tours arranged for contributing members of the Archives of American Art (AAA), who travel abroad to visit art museums and other related attractions in support of AAA. Materials include itineraries, correspondence pertaining to foreign museum visits, lists of "Airlift" participants, tour brochures, and notes.

This accession consists of cassette audiotapes and U-matic videotape recordings of lectures presented by staff members of the National Museum of African Art (NMAfA), as well as guest lecturers, at docent training classes. The lectures provide information on the Museum's permanent and temporary collections, and the history of African art a...

The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.