784 records — Page 8 of 79
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Creators:
Lazerowitz, Seymour (dealer)
Leavister, Olive Mae, 1913-1990
Dates:
1830-1880
Size:
0.33 Cubic feet (1 box)
Collection ID:
NMAH.AC.0376
Repository:
Archives Center, National Museum of American History

The collection consists of one hundred and fifteen handmade valentine cards. It contains examples of American, English and German cards dating from the 1830s through the 1880s. The cards are in excellent condition with many of them containing poems written on the inside and signed by the sender. In addition, there are a few envelopes found among...

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Creators:
Elks (Fraternal order). Lodge No. 684 (Frederick, Md.)
Dates:
1947-1982
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1374
Repository:
Archives Center, National Museum of American History

Collection consists of photographs featuring events for the Elks Lodge #684 from Frederick, Maryland. The majority of the photographs are from 1947-1961.

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Creators:
Schaeffer, Rudolph
Dates:
1880s-1997
Size:
13.3 Linear feet
Collection ID:
AAA.scharudo
Repository:
Archives of American Art

The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
Nelson, Scott
Bobcat Company
Dates:
1940s-2009
Size:
24 film reels
56 Cubic feet (128 boxes, 8 oversized folders)
10 electronic discs (cd)
5 electronic discs (dvd)
14 videocassettes (betacamsp)
38 videocassettes (u-matic)
9 videocassettes (vhs)
1 videocassettes (digital betacam)
Collection ID:
NMAH.AC.1129
Repository:
Archives Center, National Museum of American History

The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.

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Creators:
Weston, Harold, 1894-1972
Dates:
1894-1978
bulk 1912-1972
Size:
24.3 Linear feet
Collection ID:
AAA.westharo
Repository:
Archives of American Art

The papers of modernist painter and activist Harold Weston (1894-1972) date from 1894 to 1978 and measure 24.3 linear feet. The papers focus on Weston's painting career and his involvement with humanitarian and artistic causes. Found are biographical materials, correspondence, personal business records, association and organization records, commission and project files, materials relating to Weston's book Freedom in the Wilds, writings, artwork, printed materials, two scrapbooks, and photographs.

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Creators:
Decca (recording company).
Duchin, Eddie (musician)
Cugat, Xavier (bandleader)
Columbia (recording company).
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Dates:
1916-1930s.
Size:
2.5 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.0297
Repository:
Archives Center, National Museum of American History

Popular music recorded approximately 1916-1930s: 78 and 45 RPM phonograph discs produced by Edison recordings, Victor, Decca, Columbia, and Silvertone. Boxes 1-4: 53 10" Edison recordings of popular songs by such artists as Freda Hemple, George Hamilton Green, the Metropolitan Quartet, and Frederick Kinsley; also hymns, World War I songs, and some...

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Creators:
Christensen, Janice
Dates:
1943-1959
Size:
0.48 Cubic feet (2 boxes)
Collection ID:
NASM.2019.0050
Repository:
National Air and Space Museum Archives

This collection consists of material chronicling Janice Christensen's Women's Air Force Service Pilots (WASPs) service.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1847-1982
Size:
6 Boxes
Collection ID:
NMAH.AC.0300.S15
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 15, Holidays and Celebrations contains approximately 500 pieces of sheet music and other materials documenting the development of and popular attitudes towards holidays, celebrations, and travel in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Dates:
[circa 1904-1919]
Size:
101 photographic prints ((1 box), black & white, 18 x 30 cm. or smaller)
Collection ID:
EEPA.2002-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Linen covered family album of dark-brown album stock with 24 page and 101 photographic images ranging from small silver gelatin to large toned albumen ones. There are also several postcards and a pencil-drawing showing the owner on the last page. The album was compiled by the German merchant Paul Schaff, who lived and worked in German East-Africa (now Tanzania) in the years between c. 1904-1915. According to an entry in the album, he was awarded the Iron Cross 1st class for serving as a machine gun gunner under the command of General Lettow-Vorbeck in WWI in East-Africa, when the British fought the Germans and ultimately took over the region. According to a caption and a picture in the album, Schaff returned to Germany in 1919. The captions of the images give several locations in Tanzania, typical for the travels of somebody who worked in the colony. There is a caption under a postcard of a street in Dar es Salaam stating "Daressalam, my old domicile." Other photographs show Schaff in Tanga (1904), in Bukoba (1909), and in Kifumbiro as a soldier (1915). The photographs reflect various subjects to include landscapes (Lake Victoria), towns (Dar es Salaam) personal experiences (such as a Christmas celebration), and Africans. Among the latter are stunning high quality depictions of the Luo, here referred to by the German ethnological term Wagaia, and Maasai with an emphasis on dress and adornment. Another set of pictures shows life in a German military post. There are a few, large albumen prints towards the end of the album, which seem to depict German South-West Africa --judging by the dress of women in two images. These photographs might have been presents. Perhaps the owner of the album took a trip to that colony. Inscribed on the album cover are the words, "Zur Erinnerung an Deutsch-Ost-Afrika" [In memory of German East Africa] and a Maasai shield drawn in china ink and colors in the lower corner of the cover. On one of the last pages, there is the halftone color print of a bugle playing Askari, captioned "Deutsche vergesst nicht Eure Kolonien" [Germans do not forget your colonies]. The pencil portrait of the owner on the last page concludes the story line.

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784 records — Page 8 of 79