Frederick Vernon Coville Papers
These papers of Frederick Vernon Coville were part of a group of Smithsonian Department of Botany records which were originally deposited in 1971 at the Hunt Institute for Botanical Documentation. In December 1977, the records were returned to the Smithsonian for maintenance in the Smithsonian Institution Archives.
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
This accession consists of forms used by bureaus throughout the Smithsonian Institution (SI) that have been registered with the Office of Financial and Management Analysis. The records contain the most recent versions of the forms, along with prior versions and rough drafts. Some files contain correspondence regarding the history and …
Carl Etter papers and photographs on Ainu folklore and culture
Ainu folklore collected by Carl Etter during the early 1930s in the Japanese regions of Hokkaido, the Kuril islands, and Sakhalin. Also included are photographs of the Ainu people, their villages, and rituals.
Major Otto Holstein photographs from Chan Chan, Peru
68 Copy negatives
Photographic prints and copy negatives made by Major Otto Holstein in and around the ruins of Chan Chan, Peru between 1925 and 1926. Some of these photographs were later used by Holstein to illustrate his article publication "Chan-Chan: Capital of the Great Chimu" in the American Geographical Society's publication Geographical Review.
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
The subseries consists of black and white silver gelatin negatives.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Portraits of anthropologists
8 Prints (halftone (including one newspaper clipping))
124 Prints (circa, silver gelatin, albumen, and platinum)
50 Copy prints (circa)
3 copper printing plates
1 Color print
1 Print (wood engraving)
3 Copy negatives (glass)
This collection is an artificial collection of photographs, copper plates, and a few notes, all of which depict or relate to anthropologists, many of which were associated with the Bureau of American Ethnology. Included are portraits of Franz Boas, Q. M. Bond, Arno B. Cammerer, Frank Hamilton Cushing, Edwin Hamilton …
Lynn McLaren Photographs
10 Photographic prints (black and white , 8 x 10 inches.)
38 Transparencies (color , 120mm.)
The collection consists of 38 color transparencies, 648 color slides and 10 black-and-white photographic prints taken by Lynn McLaren Demarest while on assignment for various news outlets in the 1950s and 1960s. A majority of the slides and transparencies were taken in East Africa and document indigenous peoples, agriculture (cotton in particular), health and nutrition education, UNICEF activities, architecture, natural landscapes, animals, fishers, coffee plantations and the sisal industry. Locations include Mobassa, Lamu Island, Zanzibar, Dar es Saalam, Lake Victoria, Mount Kilimajaro, Ngorongoro Crater, Lake Manyara and Mikumi National Park (Tanzania). The black-and-white photographs depict East African leaders, such as Julius Nyerere, and prominent international visitors to the region, including Robert Kennedy. A small number of slides and transparencies were taken in India.
Tibetan Nomad Material Culture Documentation Project Collection
The Tibetan Nomad Material Culture Documentation Project collection contains 4.4 terabytes of born digital video and photographic material collected by four teams in four traditionally Tibetan counties in three provinces in Western China. The materials document traditional nomadic life: herding, gender roles, the making of household items like baskets and textiles …