204 records — Page 8 of 21
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Creators:
Schiedt, Duncan P., 1921-2014
Dates:
1900-2012, undated
Size:
65 Cubic feet (124 boxes)
Collection ID:
NMAH.AC.1323
Repository:
Archives Center, National Museum of American History

Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.

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Creators:
National Museum of American History. Division of Musical History
Dates:
circa 1954-1994
Size:
64.08 cu. ft. (49 record storage boxes) (26 tall document boxes)
Collection ID:
Record Unit 485
Repository:
Smithsonian Institution Archives

This record unit consists of curatorial and staff correspondence and memoranda pertaining to the Tower Concert series, exhibitions at the Hall of Musical Instruments, staff research and publications, organ building, acquisition of musical instruments, and funding for seminars and musical performance recordings. Also included are inquiries ...

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Creators:
National Endowment for the Arts. Visual Arts Program
Dates:
1969-1989
Size:
15.5 Linear feet
Collection ID:
AAA.natiendo
Repository:
Archives of American Art

The selected records of the National Endowment for the Arts, Visual Arts Program measure 15.5 linear feet and date from 1969 to 1989. The records contain supporting documentation for grant applications awarded and final reports submitted to the NEA's Visual Arts Program in the categories of: Workshops (1972-1976), Workshops/Alternative Spaces (1976-1979), Artists' Spaces (1980-1982), and Visual Artists Organizations (1983-ca.1987). Included are a variety of materials, such as slides, photographs, sound and video recordings, letters, resumes, newsletters, financial reports, operational procedures, and printed materials. After circa 1990, the NEA began returning supporting documentation to the applicants, hence, no records from the 1990s are included, although grants were awarded in the Visual Artists Organizations category until 1995.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Printed Matter, Inc.
Dates:
1970-1990
Size:
24.9 Linear feet
Collection ID:
AAA.prinmati
Repository:
Archives of American Art

The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.

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Creators:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery
Dates:
1961-2006
Size:
50 Linear feet
0.001 Gigabytes
Collection ID:
AAA.parkplag
Repository:
Archives of American Art

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

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Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2011
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2011
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-5, 1971
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1971
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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204 records — Page 8 of 21