Query: Place For Touching (Television production)
Abraham Rattner and Esther Gentle papers
Creators:
Rattner, Abraham
Dates:
1891-1986
Size:
26.3 Linear feet
Collection ID:
AAA.rattabra
Repository:
Archives of American Art

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

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in AAA.rattabra for Place For Touching (Television production)
Smithsonian Folklife Festival records: 1972 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 4, 1972
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1972
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1972 for Place For Touching (Television production)
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 5, 1992
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1992
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1992 for Place For Touching (Television production)
Smithsonian Folklife Festival records: 1984 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 1984
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1984
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1984 for Place For Touching (Television production)
Edward Higbee films
Creators:
Higbee, Edward Converse
Dates:
1919-1929
Size:
Film reels (black-and-white silent reversal; 5,200 feet, 16mm)
Collection ID:
HSFA.1989.16
Repository:
Human Studies Film Archives

Films created and collected by Edward Higbee. Films were donated in three groups: Edited film "Capetown to Cairo" and outtakes shot and edited by Edward Higbee in 1929. Films shot by E. C. Higbee c. 1925 and 1926 in Bermuda and the British West Indies; Kodak Cinegraph titled HAITI, JAMAICA, NASSAU, AND CURACAO …

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in HSFA.1989.16 for Place For Touching (Television production)
Myron Bement Smith Collection
Creators:
Smith, Myron Bement, 1897-1970
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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in FSA.A.04 for Place For Touching (Television production)
Medical Sciences Film Collection
Creators:
National Museum of American History (U.S.). Division of Medical Sciences
National Museum of American History (U.S.). Division of Medical Sciences
Dates:
1938-1974
Size:
36 Cubic feet (81 Films, 16mm)
Collection ID:
NMAH.AC.0222
Repository:
Archives Center, National Museum of American History

Films vary in subject, production source, and intended audience. Includes both silent and sound black-and-white, and color films with sound.

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in NMAH.AC.0222 for Place For Touching (Television production)
Cook Labs records
Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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in CFCH.COOK for Place For Touching (Television production)
Jerome Clarke Hunsaker Papers
Creators:
Hunsaker, Jerome Clarke, 1886-1984
Dates:
1916-1969
Size:
8 Cubic feet (28 boxes)
Collection ID:
NASM.XXXX.0001
Repository:
National Air and Space Museum Archives

The Hunsaker Papers are rich in aeronautical information relating to the 1920s and 1930s. The material furnishes a generous account of his contributions in the aeronautics field as an engineer. Interested researchers should pursue materials pertaining to Hunsaker in such repositories as MIT's Institute Archives and Special Collections Department, the Goodyear Tire & Rubber Corporation, the U.S. Navy History and Archives at the Washington Navy Yard, and the NASA History Office, Headquarters Building, Washington, DC. This archivist views the Hunsaker Papers, NASM.XXXX.0001, most relevant to research dealing with Hunsaker's professional career.

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in NASM.XXXX.0001 for Place For Touching (Television production)
Kal Muller films and photographs of Vanuatu (New Hebrides)
Creators:
Müller, Kal, 1939-
Dates:
1968-1974
Size:
39 Film reels (color, 16mm)
29,095 Slides (color, 35mm)
1 Linear foot
Collection ID:
HSFA.1975.01
Repository:
Human Studies Film Archives

Kalman "Kal" Antal Muller is a photographer and author who spent several years during the late 1960s and early 1970s living with and documenting kastom (in Bislama; tradition or custom, in English) communities in Vanuatu, an island nation in the southwestern Pacific Ocean. The Kal Muller films and photographs of Vanuatu (New Hebrides) consists largely of unedited reels of 16mm film and 35mm photographic slides that Muller shot on multiple trips to the Banks, Malekula, Pentecost, and Tanna islands from 1968-1974. Supplementary textual materials include correspondence, production records, and published articles related to Muller's time in Vanuatu.

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in HSFA.1975.01 for Place For Touching (Television production)
161 records — Page 8 of 17