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- Creators:
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United States National Museum. Office of the Director
- Dates:
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circa 1921-1973
- Size:
-
38 cu. ft. (76 document boxes)
- Collection ID:
- Record Unit 190
- Repository:
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Smithsonian Institution Archives
The records contained in this record unit are essentially those of Frank A. Taylor in his capacity as Director, United States National Museum (1962-1971) and Director General of Museums (1968-1971). However, some records as Chairman of the Exhibits Modernization Committee (1943-1959) and Director of the National Museum of History and Technolog...
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- Creators:
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Stern, Michael, 1946-
Stern, Jane
- Dates:
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1890-2008
- Size:
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17 Cubic feet (41 boxes)
- Collection ID:
- NMAH.AC.1392
- Repository:
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Archives Center, National Museum of American History
The collection documents Jane and Michael Stern's travels across the United States collecting data for their books on American material culture subjects, with particular emphasis on food and dining.
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- Creators:
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National Museum of American Art. Office of the Registrar
- Dates:
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1963-1987
- Size:
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54.58 cu. ft. (54 record storage boxes) (1 tall document box)
- Collection ID:
- Record Unit 453
- Repository:
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Smithsonian Institution Archives
This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.
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- Creators:
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Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1925-1993
- Size:
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19 Boxes
The subseries contains black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.11
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Penney, Charles Rand, 1923-2010
- Dates:
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1923-1994
bulk 1945-1994
- Size:
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23.1 Linear feet
- Collection ID:
- AAA.pennchar
- Repository:
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Archives of American Art
The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The majority of the collection consists of Penney's art collection files, which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.
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- Creators:
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National Museum of American Art. Office of Program Support
- Dates:
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1947-1981
- Size:
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146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
- Collection ID:
- Record Unit 321
- Repository:
-
Smithsonian Institution Archives
The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.
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- Creators:
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Sturtevant, William C.
- Dates:
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1952-2007
- Size:
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220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
- Collection ID:
- NAA.2008-24
- Repository:
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National Anthropological Archives
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Found In
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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July 1-10, 1994
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1994
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Dates:
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1813-1953
bulk 1915-1925
- Size:
-
4.4 Linear feet
- Collection ID:
- AAA.archamea
- Repository:
-
Archives of American Art
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
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- Creators:
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James Graham & Sons
- Dates:
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1821
1815
circa 1896-2011
- Size:
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103.2 Linear feet
- Collection ID:
- AAA.jamegras
- Repository:
-
Archives of American Art
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.