Bror Julius Olsson (B.J.O.) Nordfeldt papers
Biographical material, correspondence, business records, writings and notes, printed material, scrapbooks, and photographs document Nordfeldt's career as a painter and instructor, and his widow's involvement after his death in exhibitions, biographies, and sales of his work.
Jacob Getlar Smith papers
American Artists' Congress
Drawings, caricatures, scrapbooks, correspondence, photographs, writings, and printed material.
Jean Ellen Jones research material on Lizzie Wilkerson
The Jean Ellen Jones research material on African American artist Lizzie Wilkerson measures 0.2 linear feet and date from 1978 to 1984. The collection includes printed material, photographic material, and a video recording, Everything That Grows and Moves: The Art of Lizzie Wilkerson.
Roger Crossgrove papers
The papers of Connecticut painter, educator, photographer, and watercolorist Roger Crossgrove measure 21.1 linear feet and date from 1888 to 2012 with the bulk of the collection dating from 1950 to 2006. The collection consists of biographical material, correspondence, writings and notes, professional files, teaching files, subject files, exhibition files, printed materials, personal business records, artwork, sketchbooks, and photographic materials.
Fay Gold papers
Correspondence, works of art, a journal and a sketchbook, exhibition announcements and catalogs, and photographs.
Hedley Rhys papers relating to Maurice Prendergast
Rhys' resume; letters, 1975-1988, regarding attribution or sale of Maurice Prendergast art works; Rhys' unpublished manuscript on Prendergast, "The Legend," ca. 1960, and his dissertation "Maurice Prendergast: Sources and Development of His Style" (Harvard, 1953); and printed material on Maurice and Charles Prendergast, 1938-1989, including exhibition catalogs and announcments, clippings, a brochure, an invitation …
Oral history interview with John Emmett Gerrity
McChesney, Mary Fuller
New Deal and the Arts Oral History Project
24 Pages (Transcript)
An interview of John Emmett Gerrity conducted 1965 Jan. 20, by Mary McChesney, for the Archives of American Art. Gerrity speaks of his background and education; working as a watercolorist and a mural painter for the WPA Federal Art Project; his work methods; the effect of the FAP on him and on …
Charles Burchfield letter to Helen C. Schultz
Burchfield responds to Schultz's letter of appreciation regarding his paintings "Radiant Springtime" and "Four Seasons."