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Creators:
Smithsonian American Art Museum. Office of the Deputy Director
Dates:
1998-2008
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 12-070
Repository:
Smithsonian Institution Archives

This accession consists of records that document exhibition planning and production, and curatorial publishing activities at the Smithsonian American Art Museum and the Renwick Gallery during the tenures of Deputy Directors Charles J. Robertson (1986-2001) and Rachel M. Allen (2002- ). Some of the materials date to when the museum was kno...

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to The Dye is Now Cast: The Road to American Independence, an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
National Portrait Gallery. Office of the Director
Dates:
1958-2007
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 08-092
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities of the National Portrait Gallery (NPG) during the tenure of Director Marc Pachter (2000-2007), but also includes records from the tenures of Directors Charles Nagel (1964-1969), Marvin S. Sadik (1969-1981), and Alan Maxwell Fern (1982-2000). Topics covered include cultural affairs, ...

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Creators:
Starr, Nina Howell
Dates:
circa 1933-1996
Size:
21.2 Linear feet
Collection ID:
AAA.starnina
Repository:
Archives of American Art

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

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Creators:
National Museum of Natural History. Office of Exhibits
Dates:
1985, 1988, 1991-1995, 1998-2007
Size:
16.33 cu. ft. (13 record storage boxes) (1 16x20 box) (6 oversize drawing boxes)
Collection ID:
Accession 11-068
Repository:
Smithsonian Institution Archives

This accession consists of records documenting special exhibitions and traveling exhibitions produced or hosted at the National Museum of Natural History. Exhibitions documented in this accession include "Baseball as America;" "America's Wildest Places: Our National Wildlife Refuge System;" "A Place Called Home;" "Dinotopia;" "Emissaries ...

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Creators:
Lee-Smith, Hughie
Dates:
circa 1890-2007
bulk 1931-1999
Size:
33.7 Linear feet
0.381 Gigabytes
Collection ID:
AAA.leeshugh
Repository:
Archives of American Art

The papers of painter and educator Hughie Lee-Smith measure 33.7 linear feet and 0.381 GB and date from circa 1890 to 2007, with the bulk of the material dating from 1931 to 1999. The collection documents Lee-Smith's career through biographical material, personal and professional correspondence, writings by Lee-Smith and others, personal business records, exhibition files, organization records, printed material, scrapbooks, photographs, a small amount of artwork, numerous interviews, and recordings for a documentary film on Lee-Smith. Also found are the papers of artist Rex Goreleigh, a friend of Lee-Smith.

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Creators:
National Museum of the American Indian. Office of Exhibitions and Public Spaces
Dates:
1987-2007
Size:
22 cu. ft. (22 record storage boxes) (4 oversize folders)
Collection ID:
Accession 08-030
Repository:
Smithsonian Institution Archives

This accession consists of materials related to the development, research, and production of exhibitions at the National Museum of the American Indian (NMAI), both at the Mall museum site and at the George Gustav Heye Center (GGHC) in New York, New York. Exhibitions covered include The Art of Being Kuna: Layers of Meaning Among the Kuna o...

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Thayer, Polly, 1904-2006
Dates:
1846-2008
bulk 1921-2008
Size:
21.6 Linear feet
0.807 Gigabytes
Collection ID:
AAA.thaypoll
Repository:
Archives of American Art

The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.

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Creators:
Neel, Alice, 1900-1984
Dates:
1933-1983
Size:
1 Linear foot
Collection ID:
AAA.neelalic
Repository:
Archives of American Art

The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.

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