Query: World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Moses Moon Civil Rights Movement Audio Collection
Creators:
McNamara, Norris
Moon, Moses
Dates:
1963-1964
Size:
4 Cubic feet (18 boxes)
Collection ID:
NMAH.AC.0556
Repository:
Archives Center, National Museum of American History

Recorded by Moses Moon (known at the time as Alan Ribback) and assisted by Norris McNamara during 1963 and 1964, the collection includes audio recordings of interviews with civil rights leaders and participants as well as free-style recordings of mass meetings, voter registration events, and other gatherings organized by Student Nonviolent Coordinating Committee (SNCC). This collection provides a mostly unfiltered documentation of significant moments in the civil rights movement.

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in NMAH.AC.0556 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Exhibition Records
Dates:
1987-1998
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 02-011
Repository:
Smithsonian Institution Archives

These records document education programs and products produced in conjunction with exhibitions. Materials include education program files, program and teacher evaluations, exhibition activity books and guides for children, teacher packets - including slides and photographs, visitor and tour surveys, accessibility records, press releases, press packets, correspondence and memoranda, and education policy …

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in Accession 02-011 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Lucy R. Lippard papers
Creators:
Lippard, Lucy R.
Dates:
1930s-2010
bulk 1960-1990
Size:
70.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico. There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

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in AAA.lipplucy for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American Art. Office of Exhibition and Design
Dates:
1947-1983
Size:
4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
Collection ID:
Record Unit 452
Repository:
Smithsonian Institution Archives

This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection. This collection of …

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in Record Unit 452 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Exhibition Records
Creators:
National Museum of American History. Department of the History of Science and Technology
Dates:
circa 1979-1990, and undated
Size:
23.69 cu. ft. (23 record storage boxes) (1 16x20 box)
Collection ID:
Accession 00-001
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of Information Age: People, Information, and Technology, a major exhibition at the National Museum of American History (NMAH), which traces the evolution of information-processing and communications technologies from the 1830s to the present. The exhibition opened on May 9, 1990. The …

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in Accession 00-001 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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in AAA.lipcjacq2 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Architectural League of New York records
Creators:
Architectural League of New York
Dates:
1880s-1974
Size:
114.9 Linear feet
Collection ID:
AAA.archleag
Repository:
Archives of American Art

The records of the Architectural League of New York measure 114.9 linear feet and date from 1880s-1974 (bulk 1927-1968). The League's mission "to advance the art of architecture" is documented through administrative and business records, committee records and officers' files, exhibition files, records of functions and events, correspondence, publicity files, photographs, lantern slides, and 16 scrapbooks.

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in AAA.archleag for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Administrative Records
Dates:
1994-1995, 2000-2015
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 17-094
Repository:
Smithsonian Institution Archives

This accession consists of the records of Lonnie G. Bunch, Director, and document his work in the development of the National Museum of African American History and Culture (NMAAHC). His work touched upon every aspect of the museum including the collection of objects for the museum, the design and construction …

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in Accession 17-094 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Will Barnet papers
Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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in AAA.barnwill for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
Publicity Records
Creators:
Hirshhorn Museum and Sculpture Garden. Office of Public Affairs
Dates:
1969-1985
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Record Unit 513
Repository:
Smithsonian Institution Archives

These records include exhibition catalogs, news releases, news clippings and articles from the serious and popular press, mailings, public correspondence seeking more information on artists and art-related topics, invitations to openings and other special events, and many photographs.

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in Record Unit 513 for World Wall: A Vision of the Future Without Fear (Exhibition) (1991: Washington, D.C.)
198 records — Page 8 of 20