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Creators:
Lightner, Candy
Dates:
1980-1998, undated
Size:
3.5 Cubic feet (15 boxes)
Collection ID:
NMAH.AC.1262
Repository:
Archives Center, National Museum of American History

This collection contains materials related to the founding and activities of Mother Against Drunk Driving (MADD.) and Candace Lightner from 1980 to 1992.

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Creators:
Williams, Ralph William
Breck Company.
Dial Corporation.
American Cyanamid Company
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Dates:
circa 1936-1995
Size:
6.5 Cubic feet (16 boxes, 188 pieces of original artwork)
Collection ID:
NMAH.AC.0651
Repository:
Archives Center, National Museum of American History

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

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Creators:
Kottler, Howard, 1930-1989
Dates:
1907-2006
Size:
11.6 Linear feet
0.014 Gigabytes
Collection ID:
AAA.kotthowa
Repository:
Archives of American Art

The Howard Kottler papers measure 11.6 linear feet and 0.014 GB and date from circa 1907-2006. Included are biographical materials consisting of copies of Kottler's biography, curriculum vitae, a 1948 year book from Cleveland Heights High School, diplomas and awards, and a 1988 calendar with notations by Kottler; correspondence with friends, family, and associates, including Arna Goffe, Gwen-Li Goo, Lauren Grossman, Judith Schwartz, Patti Warashina and others; writings including Kottler's doctoral dissertation, "An Exhibition of Pottery in Support of Three Processes in Ceramics"; artist, institutional, and teaching files consisting of the University of Washington, the Tacoma Art Museum, the Watershed Center for Ceramic Arts, and the Garth Clark Gallery as well as inventory lists, sales records, banking records, digital documents and correspondence relating to the establishment and business conduct of the Howard Kottler Charitable Trust; photographs, digital photographs, slides and negatives of Kottler and his work; audiovisual material including 27 audio cassettes of interviews with Kottler, circa 1988-1989, by Patricia Failing who wrote the book "Howard Kottler: Face to Face", Univ. of Washington, 1995, 35 mm reel stills of Kottler's "American Gothic", 1/4 in. sound recording labeled Exp 1 first; and few unidentified beta, VHS and cassette tapes; and printed material consisting of comic books, newspaper clippings, exhibition announcements, catalogs, posters and craft periodicals featuring Kottler.

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Creators:
Gordon, Mackenzie, 1913-
Dates:
1913-1992
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 95-078
Repository:
Smithsonian Institution Archives

This collection documents Gordon's paleontological research; his service with the USGS, including field work; and his professional activities. Included is correspondence and memoranda arranged chronologically, alphabetically, and by subject; reports on fossils sent to Gordon for identification; subject/project files concerning field work, ...

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Creators:
Marcus, Marcia, 1928-
Dates:
1928-2016
bulk 1950-2000
Size:
0.389 Gigabytes
8.42 Linear feet
Collection ID:
AAA.marcmarc
Repository:
Archives of American Art

The papers of New York painter and educator Marcia Marcus measure 8.42 linear feet and .389 gigabytes (1 computer file), and date from 1928-2016, with the bulk of the materials dating from 1950-2000. The papers include biographical material, correspondence, interviews, writings (including two diaries), project files, personal business records, printed material, photographic material, eight sketchbooks, and artwork. Extensive personal and professional correspondence is with her husband and close friends, galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, and Robert (Bob) Richenburg, and, to a lesser extent, Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. Photographic material includes photographs of Marcus at all stages of her life and photographs and slides documenting her paintings.

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Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
0.001 Gigabytes
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and 0.001 GB and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed and digital material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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Creators:
Hassinger, Maren
Dates:
1955-2018
Size:
11.3 Linear feet
4.55 Gigabytes
Collection ID:
AAA.hassmare
Repository:
Archives of American Art

The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.

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Creators:
Gardner, Alexander, 1821-1882
Dates:
1866-1868
Size:
61 Photographic prints
Collection ID:
NMAI.AC.077
Repository:
National Museum of the American Indian

Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations. This collection contains 61 albumen prints that were shot by Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Photographs depict American Indian tribes and Peace Commissioners involved in the 1868 Fort Laramie Treaty; photographs shot along the Union Pacific Railway, Eastern Division in 1867; and photographs of American Indian delegations visiting Washington, D. C. from 1866-1868.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 Paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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