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Creators:
Fisch, Arline M.
Dates:
1931-2015
Size:
9.8 Linear feet
3.82 Gigabytes
Collection ID:
AAA.fiscarli
Repository:
Archives of American Art

The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and digital and photographic materials.

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Creators:
Cooper-Hewitt Design Archives
Nesbitt, Saul, 1920-1993.
Dates:
1951-1984
Size:
3.5 Cubic feet
Collection ID:
NMAH.AC.1275
Repository:
Archives Center, National Museum of American History

Background and biographical information consists of Nesbitt's resume, an artist/designer statement, list of clients and accomplishments of Nesbitt Associates, Ltd., press releases, articles, and photographs of the designer.,The materials in this collection document Nesbitt's work from 1951 through 1984.

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Creators:
Bush, Martin H.
Dates:
1948-2012
bulk 1970-2008
Size:
5.1 Linear feet
Collection ID:
AAA.bushmart
Repository:
Archives of American Art

The papers of Martin H. Bush measure 5.1 linear feet and date from 1948-2012, with the bulk of the material dating from 1970-2008. The collection documents Bush's career as an art historian, educator, consultant, and gallery director through biographical material, correspondence, interviews, subject files, a scrapbook, and printed material. There is an unprocessed addition to this collection that includes one VHS tape, "American Art Forum: Martin Bush, October 27, 1988."

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Park-Brannock.
Park, Ernest N.
Brannock, Otis C.
Brannock, Charles F., 1903-1992
More …
Dates:
1925 - 1998
Size:
12 Cubic feet (34 boxes)
Collection ID:
NMAH.AC.0672
Repository:
Archives Center, National Museum of American History

The Brannock Device Company began with the 1925 invention of the Brannock Device, a tool to measure foot length and width at the same time, by inventor and businessman Charles F. Brannock. Early in his career Brannock worked as a shoe salesman at the Park-Brannock shoe store, and in 1962 he became the CEO of the company. This collection documents both the Park-Brannock store and the Brannock Device. Materials in The Brannock Device Company Records, 1925-1998, include of correspondence, design drawings, United States and foreign patents and trademarks, advertisements, product information, sales records, photographs, and a film strip documenting the invention, promotion, and sale of the Brannock Device as well as the concurrent development of Park-Brannock as a leading shoe store in Syracuse, N.Y.

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Creators:
Aitken, Robert, 1878-1949
Dates:
circa 1900-1960
Size:
0.5 Linear feet
Collection ID:
AAA.aitkrobe
Repository:
Archives of American Art

The papers of California-born sculptor Robert Aitken measure 0.5 linear feet and date from circa 1900-1960. The collection primarily consists of photographs of Aitken in his studio and photographs of his sculpture including fountain figures, mausouleum doors, medallions, refliefs, and portrait busts. Also found is a photograph of Theodore Roosevelt at the dedication of the Navy Monument in Union Square, San Francisco, in 1902. The collection also includes one 1904 letter from Benjamin Wheeler to Robert Aitken thanking Aitken for a bust of George Washington, and scattered clippings and postcards reproducing works of art by Aitken.

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Creators:
Porterfield, Jeanne
Chickering, Lisa
Dates:
1954-2015, undated
Size:
38 film reels
7 sound tape reels
5 electronic discs (dvd)
1 videocassettes (u-matic)
5 videocassettes (digital betacam)
67.86 Linear Feet
18 sound discs (vinyl)
4 cassette tapes
Collection ID:
HSFA.2015.16
Repository:
Human Studies Film Archives

The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Reitz, Don, 1929-2014
Dates:
circa 1935-2015
Size:
11.6 Linear feet
11.2 Gigabytes
Collection ID:
AAA.reitdon
Repository:
Archives of American Art

The papers of artist and educator Don Reitz measure 11.6 linear feet and date from circa 1935 to 2015. The collection documents Reitz's work as a professional artist and educator through biographical material, correspondence; writings, interviews and lectures; documentation on workshops and performances; studio records; gallery and exhibition files; printed material, photographic material, and artwork.

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Creators:
Harden, Marvin, 1935-
Dates:
circa 1936-2005
Size:
2.2 Linear feet
Collection ID:
AAA.hardmarv
Repository:
Archives of American Art

The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).

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