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Creators:
Keen, A. Myra (Angeline Myra), 1905-1986 interviewee
Dates:
1983
Size:
1 audiotape (Reference copy).
Collection ID:
Record Unit 9527
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
San Francisco Women Artists
Dates:
1925-1999
Size:
15.5 Linear feet
Collection ID:
AAA.sanfrawa
Repository:
Archives of American Art

The San Francisco Women Artists records measure 15.5 linear feet, date from 1925 to 1999, and include administrative records, correspondence, membership files, exhibition files, inventory records, printed material, twenty scrapbooks, photographs, eight photograph albums, and two motion picture film reels.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Creators:
Kinard, John, 1936-1989 interviewee
Dates:
1987
Size:
2 audiotapes (Reference copies).
Collection ID:
Record Unit 9538
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Museum of Craft and Folk Art
Dates:
1970-2012
Size:
28.9 Linear feet
12.48 Gigabytes
Collection ID:
AAA.musecraf
Repository:
Archives of American Art

The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.

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Creators:
Spiro, Melford E., 1920-2014
Dates:
1943-2003, undated
Size:
9.6 Linear feet ((24 boxes))
12 sound recordings
Collection ID:
NAA.2015-04
Repository:
National Anthropological Archives

Melford E. Spiro was a psychological anthropologist whose career included fieldwork on the Pacific Atoll of Ifaluk, on kibbutzim in Israel, and in Burma. His research topics included child rearing, cooperation, aggression, and supernatural beliefs. His papers, dated 1943-2003, primarily document these periods of fieldwork in relation to these topics. The collection consists of field notes, personality data and analysis, photographs, interview tapes and transcriptions, ephemera, subject card files, and research files. It also includes limited material related to his teaching and writings in the form of course outlines and research, lecture notes, annotated articles, drafts, and book reviews.

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Creators:
Brown, William J. (William Joseph), 1923-1992
Brown, Jane Brennan, 1931-
Dates:
circa 1940-2014
Size:
7.9 Linear feet
0.32 Gigabytes
Collection ID:
AAA.browwill
Repository:
Archives of American Art

The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

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Creators:
National Museum of American History. Program in African American Culture
Dates:
1975-2000
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 12-102
Repository:
Smithsonian Institution Archives

This accession consists of the records of the Program in African American Culture (PAAC), with earlier records dating from when PAAC was known as the Program in African American History and the Program in Black American Culture, respectively. The records primarily document planning for conferences and symposiums, such as "Roberta Martin and ...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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