Includes records of the Salem China Company relating to the administration of the company, its sales and art department, and other material relating to plant operations prior to 1960, when the company ceased manufacturing and became a distributor only. Includes photographs of various promotions, Salem China patterns, factory buildings, sales staff, show rooms, etc. as well as extensive advertising material of the Salem China Co. and its competitors. Another series contains blueprints and drawings of the Salem China Company's plant and equipment. Another series contains bulletins issued by the Associated Industries of Cleveland from 1977 to 1981.

The National Museum Building Construction Records, 1894 - 1919 (bulk 1903 - 1911), document the process and methods used to construct the National Museum Building that is now known as the National Museum of Natural History. These records primarily refer to the management of the construction aspects of the project, documenting specifications ...

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

Papers documenting Moore's work as an ivory trader employed by Arnold, Cheney and Co. Includes copies of his diary entries while working as an ivory trader, financial documents, price lists, his writings on the subject of ivory, articles, a map, and photographs.

This accession consists of records that document the work of the Office of Environmental Management and Safety and its predecessors during the period from 1972 to 1991. Most of the records deal with efforts to monitor and control levels of pollutants such as lead, formaldehyde, asbestos, and various industrial chemicals through the use of ...

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

These papers document Preble's personal life and careers with the Bureau of Biological Survey and the American Nature Association, and include general correspondence, primarily incoming; published and unpublished manuscripts for scientific and conservation work; addresses and reports by others; field notebooks, diaries, lists and checklists ...

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.