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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 1990
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1990
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1893-1969
Size:
2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Motion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
White, Robert, 1921-2002
Dates:
1889-2003
bulk 1915-2003
Size:
8.4 Linear feet
0.846 Gigabytes
Collection ID:
AAA.whiterobe
Repository:
Archives of American Art

The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.

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Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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Dates:
1987-1990
Size:
files (Reference copies).
Collection ID:
Record Unit 9531
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Smithsonian Institution, Assistant Secretary for Museum Programs
Dates:
1975, 1978, 1980-1986
Size:
6.2 linear meters.
Collection ID:
Record Unit 575
Repository:
Smithsonian Institution Archives

This record unit documents the work of the Assistant Secretary for Museum Programs, Paul N. Perrot, over a substantial period of his tenure and the tenure of his successor, William N. Richards. Records concern issues of general Smithsonian Institution administration and policy, as well as more specific topics dealing with specific museums and ...

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Creators:
Kiesler, Lillian, 1910?-2001
Dates:
circa 1910s-2003
bulk 1958-2000
Size:
49.1 Linear feet
0.001 Gigabytes
Collection ID:
AAA.kieslill
Repository:
Archives of American Art

The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

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Creators:
Herbert, David, 1920-1995
Dates:
circa 1909-1996
bulk 1945-1995
Size:
5.8 Linear feet
Collection ID:
AAA.herbdavi
Repository:
Archives of American Art

The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

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Creators:
Richard York Gallery
Dates:
circa 1865-2005
bulk 1981-2004
Size:
89.5 Linear feet
Collection ID:
AAA.richyorg
Repository:
Archives of American Art

The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

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Creators:
Dreyfuss, Henry, 1904-1972
Dates:
1927-1972
Size:
130 Cubic feet
Collection ID:
SIL-CH.1972-88-332-4
Repository:
Smithsonian Libraries

This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.

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