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Creators:
Maidenform, Inc.
Dates:
1922-1997
Size:
35 Cubic feet (87 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0585
Repository:
Archives Center, National Museum of American History

Patent and trademark documents, advertisements, sales and marketing material, market research, photographs, packaging, company newsletters and magazines, and business records documenting the history of the Maidenform Company from 1922 to1997.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
Knight, Gwendolyn
Lawrence, Jacob, 1917-2000
Dates:
1816
1914-2008
bulk 1973-2001
Size:
25.35 Linear feet
0.001 Gigabytes
Collection ID:
AAA.lawrjaco
Repository:
Archives of American Art

The papers of African American painter and educator Jacob Lawrence and his wife, artist Gwendolyn Knight measure 25.35 linear feet and 0.001 GB date from 1914 to 2008, with one item from 1816 and the bulk of the material dating from 1973 to 2001. The collection includes biographical material; correspondence including condolence letters to Gwendolyn Knight after Jacob Lawrence's death; writings by Jacob Lawrence and others; printed and digital material; photographs; personal business records; artwork; records from the Jacob Lawrence Catalogue Raisonné Project; materials related to the Jacob and Gwendolyn Knight Lawrence Foundation; professional files; and material related to awards and honors received by Jacob Lawrence and Gwendolyn Knight.

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Creators:
Dryden, Hugh L. (Hugh Latimer), Dr., 1898-1965
Dates:
1903-1974
bulk 1940-1965
Size:
1.48 Cubic feet (3 boxes)
Collection ID:
NASM.2001.0021
Repository:
National Air and Space Museum Archives

Dr. Hugh L. Dryden was an aerodynamicist by training, a career civil servant, and a government official. With degrees in physics and mathematics he became chief of the aerodynamics section of the National Bureau of Standards and eventually served as the first deputy administrator of the National Aeronautics and Space Administration (NASA). This collection consists of memorabilia relating to Dryden's career.

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Creators:
Robbins, Warren M.
Dates:
1941-2010
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 15-057
Repository:
Smithsonian Institution Archives

This accession consists of the papers of Warren M. Robbins, founder and director emeritus of the Museum of African Art, later the National Museum of African Art. These papers document Robbins' work with museums, lectures, grant proposals, art acquisitions, exhibitions, publications, the Center for Cross-Cultural Communication, fund raising, ...

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Creators:
Shaffer, Earl V., 1918-2002
Dates:
bulk 1803 - 2007, undated
Size:
16 Cubic feet (50 boxes, 15 map folders)
Collection ID:
NMAH.AC.0828
Repository:
Archives Center, National Museum of American History

This collection contains the trail diaries, papers, photographs and slides, and writings of Earl V. Shaffer, the man credited with being the first person to hike the entire Appalachian Trail (AT). His complete trail hikes took place in 1948, 1965, and 1998. He was also a hiking and nature enthusiast and advocate.

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Creators:
Scherbatskoy, Serge A., 1908-2002
Dates:
1925-2002
Size:
17 Cubic feet (39 boxes)
Collection ID:
NMAH.AC.0936
Repository:
Archives Center, National Museum of American History

Collection documents the professional career and business interests of inventor Serge A. Scherbatskoy, who specialized in petroleum geophysics. Papers include laboratory notebooks, license agreements, correspondence, blue line prints, patent litigation files, newspaper clippings, reference files, patents, promotional literature, and audio-visual materials.

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Creators:
National Air and Space Museum. Department of Space Science and Exploration
Dates:
circa 1960-1986
Size:
22.5 cu. ft. (22 record storage boxes) (1 document box)
Collection ID:
Record Unit 348
Repository:
Smithsonian Institution Archives

These records consist of administrative files from the Department of Astronautics and the Department of Space Science and Exploration. Materials include correspondence, budget materials, exhibit scripts, annual reports, files of former curator Richard Hallion, correspondence of Durant concerning the American Institute of Aeronautics and Astron...

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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