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Creators:
Inverarity, Robert Bruce, 1909-1999
Dates:
circa 1840s-1997
Size:
13.8 Linear feet
Collection ID:
AAA.inverobe
Repository:
Archives of American Art

The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

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Creators:
Hills Bros. Coffee, Inc.
Dates:
1875 - 1965
Size:
65 Cubic feet
Collection ID:
NMAH.AC.0395
Repository:
Archives Center, National Museum of American History

Records of the Hills Bros. Coffee Company, Incorporated, documenting overall operations of the company, the creation of advertising materials, and development of the coffee trade.

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Creators:
Smithsonian Institution, Assistant Secretary for Finance and Administration
Dates:
1981-1991
Size:
10 cu. ft. (10 record storage boxes)
Collection ID:
Accession 92-123
Repository:
Smithsonian Institution Archives

This collection documents the activities of the Assistant Secretary for Finance and Administration, known before October 1990 as the Assistant Secretary for Administration. Most of the records are from calendar year 1990, although some individual files contain records that date back to 1981 and forward to 1991. The records contain reports, cor...

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Creators:
Marsh, Felicia Meyer, 1912-1978
Meyer, Herbert W. (Herbert William)
Meyer, Anne
Dates:
circa 1880-1977
Size:
4.9 Linear feet
Collection ID:
AAA.marsfeli
Repository:
Archives of American Art

The papers of painter Felicia Meyer Marsh and the Meyer family measure 4.9 linear feet and date from circa 1880 to 1977. The collection is comprised of biographical materials including family business records, writings by Marsh, and other family documents; and Marsh's correspondence with her husband Reginald Marsh, her parents Herbert and Anne Meyer, and with numerous artists such as Peggy Bacon, Alexander Brook, Olin Dows, Philip Evergood, Lloyd Goodrich, Edward Hopper, George Tooker, and Andrew Wyeth after her husband's death in July 1954. Also found are 24 diaries belonging to Marsh and her parents; printed materials documenting the art careers of Marsh and Herbert Meyer; artwork including 20 sketchbooks; and photographic materials containing 19th and 20th-Century photographs of Felicia and Reginald Marsh, the Meyer family, and friends.

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Creators:
Fine Arts Federation of New York
Dates:
1895-2005
Size:
15.2 Linear feet
Collection ID:
AAA.fineafny
Repository:
Archives of American Art

The records of the Fine Arts Federation of New York, a consortium of New York City arts and architecture organizations, measure 15.2 linear feet and date from 1895-2005, bulk 1935-2002. The Federation's activities on behalf of the interests of the constituent organizations and the greater community are documented through officers' files, correspondence, administrative records, scattered printed materials, and scrapbooks.

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Creators:
Vogel, Dorothy
Vogel, Herbert
Dates:
1960s-2009
Size:
47.5 Linear feet
Collection ID:
AAA.vogedoro
Repository:
Archives of American Art

The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 2010
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2010
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Ostroff, Eugene, d. 1999 (NMAH Curator)
Salo, Matt, Dr.
Haberstich, David E., 1941-
Ahlborn, Richard E.
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Dates:
1985 - 1986
1930 - 1943
Size:
0.25 Cubic feet (4 boxes)
Collection ID:
NMAH.AC.0204
Repository:
Archives Center, National Museum of American History

This collection contains 273 silver gelatin photoprints (Series 1), most of which apparently were made during the 1930s and early 1940s, contemporaneously with the original negatives. All are 8" x 10" or slightly smaller, unmounted except for flush mounted linen on the backs of some prints. The photographs were made primarily in two locations, Ne...

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Creators:
Borglum, Solon Hannibal, 1868-1922
Dates:
1864-2002
Size:
11.5 Linear feet
Collection ID:
AAA.borgsolo
Repository:
Archives of American Art

The Solon H. Borglum and Borglum family papers date from 1864 to 2002 and measure 11.5 linear feet. The collection documents Solon Borglum's personal life and his career as a sculptor specializing in Western themes through biographical material, family and general correspondence, writings and notes, research for his biography, financial and business letters, printed material, photographs and artwork.

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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