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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Design and Production
Dates:
1986-1995, 2001-2011
Size:
9.82 cu. ft. (1 record storage box) (2 16x20 boxes) (58 oversize folders)
Collection ID:
Accession 18-078
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the design process for exhibitions. The majority of the accession consists of exhibition drawings and floor plans for the Arthur M. Sackler Gallery with a smaller amount of material documenting exhibition updates and reinstallations at the Freer Gallery of Art. In addition to drawings, materials ...

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Creators:
Leeds, Anthony, 1925-
Dates:
1946-1989
Size:
18.37 Linear feet (32 document boxes, 2 card file boxes, one photo album, one oversize box, 2 map folders, and one document box of restricted materials.)
Collection ID:
NAA.1994-35
Repository:
National Anthropological Archives

This collection is comprised of the professional papers of Anthony Leeds, anthropologist and university professor. Leeds' reasearch was primarily concerned with urban development, though the fieldwork included in this collection is from rural areas. Included are correspondence, field notes, published and unpublished papers, photographs, newspaper and periodical clippings, conference papers, lecture notes, syllabi, critiques of colleague and student work, and several personal documents.

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Creators:
Larrabee, Constance Stuart
Dates:
1900-1997
Size:
circa 11000 negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.

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Creators:
American Ornithologists' Union
Dates:
1883-1977
Size:
46.93 cu. ft. (93 document boxes) (1 12x17 box) (2 oversize folders)
Collection ID:
Record Unit 7150
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Brooks, James, 1906-1992
Dates:
1909-2010
bulk 1930-2010
Size:
20.1 Linear feet
Collection ID:
AAA.broojame
Repository:
Archives of American Art

The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

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Creators:
Clark, Edward, 1926-
Dates:
1923-2017
Size:
8.9 Linear feet
Collection ID:
AAA.clarked
Repository:
Archives of American Art

The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.

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Creators:
Marilyn Pearl Gallery
Dates:
1925-2000
bulk 1976-1993
Size:
7.4 Linear feet
Collection ID:
AAA.maripeag
Repository:
Archives of American Art

The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Jackson, Hartley H. T. (Hartley Harrad Thompson), 1881-1976
Dates:
circa 1883-1976
Size:
10.34 cu. ft. (19 document boxes) (1 16x20 box) (1 3x5 box)
Collection ID:
Record Unit 7172
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The papers of Hartley H. T. Jackson were received by the Smithsonian Institution Archives in two accessions. The first accession was transferred from the Bird and Mammal Laboratories, United States Department of Interior, in 1973; a...

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