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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1995-1998
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 00-083
Repository:
Smithsonian Institution Archives

This accession consists of records that document exhibition activities of the office for the National Museum of American Art and the Renwick Gallery. Materials include correspondence, memoranda, condition reports, checklists, insurance records, shipping invoices, lender files, and budget records.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1819-1957
Size:
2.98 Cubic feet (consisting of 3.5 boxes, 1 folder, 5 oversize folders, 2 map case folders, 3 flat boxes (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Watchworks
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Watchworks and Clockworks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Hassinger, Maren
Dates:
1955-2018
Size:
11.3 Linear feet
4.55 Gigabytes
Collection ID:
AAA.hassmare
Repository:
Archives of American Art

The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.

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Creators:
Nicholson, Grace, -1948
Museum of the American Indian, Heye Foundation
Dates:
1905-1930
Size:
374 Photographic prints
38 copy negatives
Collection ID:
NMAI.AC.001.039
Repository:
National Museum of the American Indian

This collection contains 374 photographic prints and 38 copy negatives made by Grace Nicholson, a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The majority of the photographs were made between 1910 and 1930 among various native communities in California, though there are smaller amounts of photographs in Arizona and New Mexico. Communities photographed include—Hupa, Yurok, Pomo, Karuk (Karok), Tolowa, Yokayo Pomo, Achomawi (Pit River), Atsugewi (Hat Creek), Hopi Pueblo, Kumeyaay (Digueno), Mojave (Mohave), Paiute, Taos Pueblo, Wintu, Acoma Pueblo, Maidu, Chukchansi Yokuts, Yokuts.

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Creators:
Lehner, Frank
Seiling, J.
Braithwaite, Charles Henry
Dates:
bulk circa 1876 - 1926
Size:
0.25 Linear feet
43 Photographs
Collection ID:
NMAI.AC.147
Repository:
National Museum of the American Indian

This collection consists of 38 photographic prints of Native and non-Native peoples involved with Buffalo Bill's Wild West show, primarily in the years 1890-1891.

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Creators:
Smithsonian Latino Center
Dates:
FY 1995-FY 2007
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 10-202
Repository:
Smithsonian Institution Archives

This accession consists of records which document the administration of the Latino Initiatives Pool. It covers a time period when SLC was known as the Smithsonian Center for Latino Initiatives (SCLI) and from before the creation of SLC, when the Latino Initiatives Pool was administered by the Office of the Provost and the Office of the Secreta...

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Creators:
Bush, Martin H.
Dates:
1948-2012
bulk 1970-2008
Size:
5.1 Linear feet
Collection ID:
AAA.bushmart
Repository:
Archives of American Art

The papers of Martin H. Bush measure 5.1 linear feet and date from 1948-2012, with the bulk of the material dating from 1970-2008. The collection documents Bush's career as an art historian, educator, consultant, and gallery director through biographical material, correspondence, interviews, subject files, a scrapbook, and printed material. There is an unprocessed addition to this collection that includes one VHS tape, "American Art Forum: Martin Bush, October 27, 1988."

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Creators:
Moore, Benson Bond, 1882-1974
Dates:
1902-1995
Size:
5.7 Linear feet
Collection ID:
AAA.moorbens
Repository:
Archives of American Art

The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

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Creators:
Nengudi, Senga, 1943-
Dates:
1947
circa 1962-2017
Size:
12.8 Linear feet
11.24 Gigabytes
Collection ID:
AAA.nengseng
Repository:
Archives of American Art

The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.

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Creators:
Nelson, Scott
Bobcat Company
Dates:
1940s-2009
Size:
24 film reels
56 Cubic feet (128 boxes, 8 oversized folders)
10 electronic discs (cd)
5 electronic discs (dvd)
14 videocassettes (betacamsp)
38 videocassettes (u-matic)
9 videocassettes (vhs)
1 videocassettes (digital betacam)
Collection ID:
NMAH.AC.1129
Repository:
Archives Center, National Museum of American History

The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.

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