The Technical Reference Files comprise an artificial collection that currently contains 1,900 cubic feet of aviation and space related materials, organized in 22 subject series. File materials include photographs, press releases, clippings, correspondence, reports, and brochures, on individuals, organizations, events, and objects.

This accession consists of the records of Gary Kulik, Assistant Director for Academic Programs, National Museum of American History (NMAH), from 1987 to 1994. Some records date back to when Kulik was Assistant Curator for the Division of Textiles, 1978-1982; Vice-Chairman of the Department of Social and Cultural History, 1980-1982, and Ch...

This accession consists of records documenting exhibitions produced by the Cooper-Hewitt, National Design Museum. Materials include signage correspondence, memoranda, signage proof prints, exhibition drawings, object lists, condition reports, label text, checklists, research materials, object images, installation images, floor plans, brochures...

This collection consists of papers documenting the research of both Stejneger and Baur on tortoises. Much of the Baur material was created during his research for the planned USNM monograph on North American tortoises. The papers consist of correspondence, notes, manuscripts, lists, newspaper clippings, photographs, negatives, and drawings. ...

The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.

The records document primarily the financial aspects of the Fellows Gear Shaper Company and consist of meticulously maintained journals and ledger books. Fellows Gear Shaper Company was a leader and dominant figure in the manufacturing of precision gear production, gear cutting tools, and optical inspection machines in the first half of the 20th century. The company's contribution to the industry enabled the manufacture of gears for textile, automobiles, factory machinery, and other industries.

The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references ...

Jacques Français was a preeminent luthier, violin expert, and dealer in rare stringed instruments. Emil Herrmann was also a violin expert and dealer in rare violins. This collection contains photographic prints, negatives, certificates of authenticity, and sale books related to their business as dealers and authenticators of rare stringed instruments.

The records of the Municipal Art Society of New York, based out of New York City and established in 1893, measure 3.2 linear feet and date from 1901 to 1960. The records include minutes from the annual and directors meetings, which incorporate reports, directors' files, committee files, and printed material. Financial reports to the Municipal Art Society Board that detail the organization's Permanent Fund are also present.