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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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Creators:
Boas, Ernst P. (Ernst Philip), 1891-1955
Dates:
1927-1946
Size:
0.25 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.0881
Repository:
Archives Center, National Museum of American History

The papers document Dr. Ernst P. Boas and his work with Benjamin Liebowitz and Dr. Ernst F. Goldschmidt to develop the cardiotachometer (US Patent 1,816,465), a device to measure patients' heart rates for long periods of time. Materials include Dr. Boas's correspondence, patient experiment data, articles, and reprints of journal articles authored by Dr. Boas and with others that relate to the development of the cardiotachometer.

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Creators:
Stanton, Charles Ingram, 1893-1986
Dates:
1917-1977
Size:
4.22 Cubic feet (1 slim legal document box; 4 legal document boxes; 3 flatboxes)
Collection ID:
NASM.1987.0076
Repository:
National Air and Space Museum Archives

This collection consists of Stanton's personal papers. The material includes correspondence, photographs, news clippings and articles, reunion memorabilia and records, and personal and professional writings over the course of his aeronautical career.

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Creators:
National Museum of American Art. Office of the Director
Dates:
1969-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 438
Repository:
Smithsonian Institution Archives

These records consist primarily of administrative subject files maintained by the Office of the Director, documenting his or her activities in the museum, in the Institution, and with outside people and organizations. Also included are files on the National Museum of American Art Commission, its meetings, and its commissioners. Some materials ...

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Creators:
National Congress of American Indians
Dates:
1952-1997
Size:
24 Videoreels (1/2 inch)
1 Videocassettes (Hi8)
3 Sound cartridges
1 Sound recording (dictaphone belt)
10 Videocassettes (VHS)
442 Sound tape reels (1/4" open reel)
30 Videocassettes (U-matic)
713 Sound cassettes
Collection ID:
NMAI.AC.010.001
Repository:
National Museum of the American Indian

The National Congress of America Indians (NCAI), which describes itself as the oldest and largest American Indian and Alaskan Native organization in the United States, was founded on November 16, 1944, in Denver, CO and is still active today. NCAI was founded to serve as a link between individual tribal councils and the United States government but also aimed to educate the general public about Indians, preserve Indian cultural values, protect treaty rights with the United States, and promote Indian welfare. This collection of National Congress of America Indians Audio and Film Recordings contains materials created by and for NCAI to maintain a record of organizational proceedings and events between 1952 and 1997. Recorded in various formats, the bulk of this collection is on 1/4" open reel to reel tapes and sound cassettes. The events represented in this collection include annual and mid-year conventions, executive council meetings, congressional hearings, intertribal institutes and a variety of workshops and meetings regarding economic, civil and educational issues facing indian country.

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Creators:
Tacha, Athena, 1936-
Dates:
1959-2019
Size:
36.04 Linear feet
Collection ID:
AAA.tachathe
Repository:
Archives of American Art

The papers of sculptor and educator Athena Tacha measure 36.04 linear feet and date from 1959 to 2019. Found are biographical material, correspondence, writings and notes, research and writing files, commission and project files, teaching files from her position at Oberlin College, professional activities files, subject files, printed material, and photographic material. Of note are files documenting Tacha's numerous public art commissions throughout the United States.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Dates:
1917-1998, undated
Size:
120 Posters (14 map-folders)
Collection ID:
NMAH.AC.0751
Repository:
Archives Center, National Museum of American History

An artificial collection of posters on various subjects, at present organized according to donor and/or subject. Examples of contents include motion picture posters and propaganda posters.

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Dates:
1973-2008
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 10-152
Repository:
Smithsonian Institution Archives

This accession documents the professional collaborations of the National Museum of Natural History, Department of Botany, with numerous organizations-most notably the Association for Tropical Biology. Materials also include exhibition records, memoranda and correspondence. All records were created or maintained by W. John Kress.

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Dates:
1990
Size:
13 videotapes (Reference copies). 39 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9553
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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