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Creators:
Charles Campbell Gallery
Dates:
1960-2001
Size:
17.6 Linear feet
Collection ID:
AAA.campgall
Repository:
Archives of American Art

The records of the Charles Campbell Gallery in San Francisco date from 1960 to 2001 and measure 17.6 linear feet. The records include business correspondence with galleries, curators, trusts, and individual buyers and sellers; business records consisting of administrative files, business notebooks, and financial material; artist and exhibition files; and Charles Campbell's related personal files that include correspondence, catalogs, newsletters, and clippings about jazz, and photos and travel. Substantial artist files exist for Nathan Oliveira, which contain original artwork and photos of the artist, Peter Allegaert, Gordon Cook, Charles Griffin Farr, Morris Graves, Robert Harvey, Geer Morton, Fred Reichman, Jean Rustin, Stephani Sanchez, and Wayne Thiebaud, among others.

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Creators:
Pomerantz, Louis
Dates:
1937-1988
bulk 1950-1988
Size:
34.2 Linear feet
Collection ID:
AAA.pomeloui
Repository:
Archives of American Art

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

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Creators:
Christopher, William R, 1924-1973
Dates:
circa 1920s-circa 1973
Size:
8.2 Linear feet
Collection ID:
AAA.chriwill
Repository:
Archives of American Art

The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five short film reels containing amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.

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Creators:
Riva, Julia
Jones, Jophe
Warren, Harry, 1893-1981
Dates:
1894-2000
bulk 1926-1980, undated
Size:
32 Cubic feet (70 boxes, 26 folders)
Collection ID:
NMAH.AC.0750
Repository:
Archives Center, National Museum of American History

The Harry Warren Papers consists of original music manuscripts, scores, song sheets, commercial sheet music, bound scores, scripts, business records, correspondence (business, personal and fan), clippings, magazines, photographs, cassette tapes, LP records, posters and programs and personal memorabilia. The material documents the personal life and...

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Creators:
Bohrod, Aaron
Dates:
1507-1994
bulk circa 1930-1994
Size:
17.8 Linear feet
Collection ID:
AAA.bohraaro
Repository:
Archives of American Art

The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.

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Creators:
Breuer, Marcel, 1902-
Dates:
1920-1986
Size:
37.6 Linear feet
0.14 Gigabytes
Collection ID:
AAA.breumarc
Repository:
Archives of American Art

The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.

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Creators:
Battcock, Gregory, 1937-
Dates:
1952-circa 1980
Size:
10.6 Linear feet
Collection ID:
AAA.battgreg
Repository:
Archives of American Art

The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.

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Creators:
Vidal, Teodoro
Dates:
1592-1992
Size:
4 Cubic feet (15 boxes, 10 oversized folders)
Collection ID:
NMAH.AC.0712
Repository:
Archives Center, National Museum of American History

Maps, prints, posters, religious articles, publications and photographs, relating to the history and culture of Puerto Rico. Mr. Vidal's family and personal papers are also included.

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Creators:
Smithsonian Institution. Assistant Secretary for History and Art
Dates:
1965-1972
Size:
28 cu. ft. (28 record storage boxes)
Collection ID:
Record Unit 104
Repository:
Smithsonian Institution Archives

These records contain correspondence, memoranda, and related material concerning the administration of bureaus listed above, as well as material concerning relationships with other Smithsonian offices. Also included are some files from Blitzer's previous position as Director of the Office of Education and Training.

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Creators:
National Portrait Gallery. Department of Exhibitions and Collections Management
Dates:
1973-2017
Size:
25.5 cu. ft. (25 record storage boxes) (1 document box)
Collection ID:
Accession 19-102
Repository:
Smithsonian Institution Archives

This accession consists of records which document the work of the Department of Exhibitions and Collections Management in the preparation and development of exhibitions at the National Portrait Gallery (NPG), as well as the design and publicity involved with exhibitions and the loan of art objects both to and from the museum. Staff represented...

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