This accession consists of records documenting the development, planning, and execution of the exhibition National Design Triennial: Why Design Now?. The exhibition, on view from May 4, 2010 through January 9, 2011, was curated by Ellen Lupton, Cara McCarty, Matilda McQuaid, and Cynthia E. Smith. Materials include correspondence, memoranda, label texts, publicity materials, research …
Albert G. Ingalls Papers
Ingalls, Albert G., 1888-1958 (astronomer, editor)
Collection documents Albert G. Ingallsrole as an editor for the "Scientific American" (specifically a column on amateur astronomy) primarily through correspondence and other publications.
Charles Lang Freer Papers
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
This accession consists of records that document programs, fundraising, acquisitions, and publications at the Renwick Gallery. Staff represented in these records include Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; Kenneth R. Trapp, Curator-in-Charge, 1995-2003; Jane Milosch, Curator, 2004-2009; and Marguerite Hergesheimer, Museum Specialist. Materials include correspondence, memoranda, and notes; a brochure …
Museum of Craft and Folk Art records
The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.
Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian Institution exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits specialists, and outside contractors.
Warshaw Collection of Business Americana Subject Categories: World Expositions
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: World Expositions forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
This accession consists of color slides documenting exhibitions, objects, lectures, and special projects at the National Museum of American History (NMAH) and outside the Smithsonian Institution. The slides were created and/or collected over the years by Robert S. Harding, Senior Archivist at NMAH, Archives Center, with a significant number …
This accession consists of records that document planning, development and production activities for the exhibitions The Coke Push: A Centennial Portfolio of Industrial Art, Abandoned Mine Scenes, Lead and Zinc Mine Scenes of the Past, Labor Day, The United States Census, 1790-1960, The Changing American Farm, 1831-1981, The Clockwork Universe: German Clocks …
These records primarily document administrative activities of the National Museum of American History (NMAH) concerning NMAH departments, divisions, exhibitions, and special programs. Directors represented include Roger G. Kennedy (1979-1992), and Spencer R. Crew (Acting Director, 1992-1994; Director, 1994-2001). Materials include records pertaining to the First Ladies Gowns, Duke Ellington Collection, Women in Museums …