This collection consists of several thousand clippings of trade marks, labels, etc., taken from magazines and newspapers, and labels. Many of them are quite small and a very few have dates and sources noted on the reverse side. Most of them appear to have been clipped in the 1920 1940 period. They were classified by the collector on the basis of...

This accession consists of records documenting publicity and outreach activities for the Hirshhorn Museum and Sculpture Garden and its exhibitions, events, programs, and activities. Materials include brochures, flyers, pamphlets, invitations, announcements, guides, press packets, educational materials, advertisement mockups, stationary, p...

This accession consists of audiovisual materials related to the National Portrait Gallery that were either created or collected by Smithsonian Productions and its predecessor units, Smithsonian Press/Smithsonian Productions, 1996-1998, and Smithsonian Institution, Office of Telecommunications, 1976-1996. The materials document the museum, its ...

The papers in the Abbott collection appear to have been brought together in the Smithsonian's Department of Anthropology in order to process ethnological specimens from Malaya and Indonesia and to prepare an exhibit and publications. Included are some of Abbott's original letters, notes, maps, and a considerable number of photographs. Most of these materials concern the Enggano, Jakun, and Dyak. Many other documents in the collection consist of copies of or extracts from Abbott's letters, the originals of which are now in the Smithsonian Institution Archives. There are also letters and other materials of Otis Tufton Mason and Walter Hough accumulated as they worked on the collection, many simple lists of accessions compiled in the Department of Anthropology, and a few manuscripts. In addition, there are printed materials that were apparently used by the department's staff for reference purposes. Some of the photographs made in Borneo in 1914 are by Henry Cushier Raven, a field assistant of Abbott and, later, a collector financed by Abbott. Additional materials of Abbott and Raven are in the Smithsonian Institution Archives, and their material (often duplicate photographs) are included in several collections in the National Anthropological Archives.

This accession consists of records documenting films and videos produced by the Office of Education. The most documented film in this accession is "The Art of the Hyo-gushi," a 45 minute film following the restoration of three Japanese paintings by Takahi Sugiura and his assistants, Shigero Mikkachi and Makoto Souta. Other productions document...

This accession consists of records that document the educational outreach activities of the Office of the Assistant Provost for Educational and Cultural Programs, with earlier records dating back when it was known as the Office of the Assistant Secretary for Public Service and the Office of the Assistant Secretary for Education and Public ...

This accession consists of 1987 files documenting various short term event and conferences such as Regents dinners, luncheons, tea parties, receptions, and breakfasts. Also includes correspondence, guest lists and mailing lists, menus, invitations, memoranda, agendas, contact sheets, pamphlets, minutes of meetings, receipts, brochures, and ...

This accession consists of audiotapes and videotapes of interviews; lectures of the exhibit, Drugs: A Special Exhibition; and conservation training programs.

The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.