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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1544-1988
Size:
1,108 Cubic feet (consisting of approximately 2,050 of boxes, approximately 336 oversize boxes, map case material.)
Collection ID:
NMAH.AC.0060.S01
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 1 is organized into two sub-groups. The first is divided into 468 subject categories. The second sub-group is divided into 68 geographical categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.

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Creators:
Poindexter Gallery
Dates:
1931-1985
bulk 1955-1978
Size:
7.1 Linear feet
Collection ID:
AAA.poingall
Repository:
Archives of American Art

The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.

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Creators:
Fane, Lawrence, 1933-2008
Dates:
circa 1964-2003
Size:
0.4 Linear feet
Collection ID:
AAA.fanelawr
Repository:
Archives of American Art

The papers of New York sculptor Lawrence Fane measure 0.4 linear feet and date from circa 1964-2003. The collection primarily documents Lawrence Fane's activities as a sculptor through biographical material; printed material, including clippings, exhibition announcements, and catalogs; and photographs of artwork.

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Creators:
Cowin, Eileen, 1947-
Dates:
1961-2015
Size:
14.7 Linear feet
29.56 Gigabytes
Collection ID:
AAA.cowieile
Repository:
Archives of American Art

The papers of Los Angeles photo and video artist Eileen Cowin measure 14.7 linear feet and 29.56 GB and date from 1961 to 2015. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed and digital material, video artwork and sketchbooks, sound and video recordings, and photographic material.

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Creators:
Marshall, Richard, 1947-2014
Dates:
1969-2014
Size:
15.8 Linear feet
26.07 Gigabytes
Collection ID:
AAA.marsrich
Repository:
Archives of American Art

The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.

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Creators:
Jaffe, Shirley, 1923-
Dates:
circa 1950-2011
Size:
7.1 Linear feet
0.26 Gigabytes
Collection ID:
AAA.jaffshir
Repository:
Archives of American Art

The papers of artist Shirley Jaffe measure 7.1 linear feet and 0.260 GB and date from circa 1950-2011. The collection documents her life and career as an American painter living in Paris through biographical material, letters, notebooks, writings, project files, printed and digital material, photographic material, and sketchbooks.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1932-1959
Size:
320 Boxes
The subseries includes black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.03
Repository:
Archives Center, National Museum of American History

The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
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Dates:
1948-1949
Size:
2 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1994
Size:
320 Boxes
The subseries consists of black and white silver gelatin negatives..
Collection ID:
NMAH.AC.0618.S04.04
Repository:
Archives Center, National Museum of American History

The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1900-1994
Size:
320 Boxes
The material type of the series is black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 4 materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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