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Creators:
Dow, Arthur W. (Arthur Wesley), 1857-1922
Dates:
circa 1826-1978
bulk 1879-1922
Size:
1.3 Linear feet
Collection ID:
AAA.dowarth
Repository:
Archives of American Art

The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826-1978, with the bulk of the material dating from 1879-1922. The collection documents aspects of the life and work of the landscape painter, printmaker, photographer and educator. Papers include correspondence, diaries, writings, lecture notes, clippings, catalogs, ephemera, artwork, and photographs.

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Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
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Dates:
1955-1957, undated
Size:
7 Boxes
Collection ID:
NMAH.AC.0618.S07
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 7 consists of black-and-white color separation negatives and instructions for processing kodak matrix film. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Squier, E. G. (Ephraim George), 1821-1888
Dates:
circa 1862-1868
Size:
312 Negatives (photographic) (black and white)
3 Photographic prints (black and white)
Collection ID:
NMAI.AC.041
Repository:
National Museum of the American Indian

The Squier collection consists primarily of glass plate negatives made by Squier in the Central Andes region of Peru from 1862 to 1868 while he served as the United States Commissioner to Peru.

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Creators:
Smithsonian Institution. Anacostia Community Museum
Dates:
1989-05 - 1990-05
Size:
3.52 Linear feet (6 boxes)
Collection ID:
ACMA.03-026
Repository:
Anacostia Community Museum Archives

An exhibition on African American inventors and innovators, from prominent figures such as the 19th century inventor Elijah McCoy to the anonymous men and women who made important contributions to the development of American technology. The show was curated by Portia James and organized by the Anacostia Museum. It was held at the museum from May 1989 --May 1990. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Dates:
1865–1872
Size:
23 Reels
Collection ID:
NMAAHC.FB.M1901
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M1901. These digital surrogates reproduced the records of the Arkansas staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
United States National Museum., Dept. of Anthropology.
Dates:
undated
Size:
3 Painted photographs
8 Prints (halftone and color halftone)
56 Photographic prints (albumen and silver gelatin)
10 Copy prints
1 Stereograph (albumen)
2 Engravings
2 Color lithographs
Collection ID:
NAA.PhotoLot.87-2P
Repository:
National Anthropological Archives

The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa...

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Creators:
Sanchez, Emilio, 1921-1999
Dates:
1922-2012
Size:
18.1 Linear feet
Collection ID:
AAA.sancemil
Repository:
Archives of American Art

The collection measures 18.1 linear feet, dates from 1922 to 2012, and documents the career of Cuban-born painter and printmaker, Emilio Sanchez. The collection includes letters to Sanchez, business records, photographs of the artist and sources for his artwork, many original sketches, printed material, and calendars.

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Creators:
Lemelson Center
Dates:
1997-2005
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 07-014
Repository:
Smithsonian Institution Archives

This accession consists of records which primarily document the exhibition Nobel Voices: Celebrating 100 Years of the Nobel Prize, which explored the motivation and vision of Nobel laureates and the history of Alfred Bernhard Nobel and his prize. The exhibition celebrated the 100th anniversary of the Nobel Prize and was developed in colla...

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Creators:
Ellsworth, David, 1944-
Shea, Josephine, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2007 July 16
Size:
5 Items (Sound recording: 5 sound files (2 hr., 41 min.), digital, wav)
Collection ID:
AAA.ellswo07
Repository:
Archives of American Art

An interview of David Ellsworth conducted 2007 July 16, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Ellsworth's home, in Quakertown, Pennsylvania.

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Creators:
Barnet, Will, 1911-2012
Dates:
1897
1929-2016
Size:
30.7 Linear feet
7.24 Gigabytes
Collection ID:
AAA.barnwill
Repository:
Archives of American Art

The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

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