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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-14, 1974
Size:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Collection ID:
CFCH.SFF.1974
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Portrait Gallery. Office of Publications
Dates:
1965-1999
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 01-011
Repository:
Smithsonian Institution Archives

This accession consists of exhibition catalogs (both traveling and in-house), brochures, pamphlets, illustrated checklists, and other publications created around a specific themes or genres drawn from the collections in the National Portrait Gallery.

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Creators:
Pullman Palace Car Co.
Pullman-Standard
Dates:
circa 1882-1955
Size:
128.5 Cubic feet (147 boxes)
Collection ID:
NMAH.AC.1175
Repository:
Archives Center, National Museum of American History

Collection consists of approximately 13,500 images (original photographs, copy prints, and film and glass plate negatives) for freight, passenger, private, and street and rapid transit cars manufactured by the Pullman Palace Car Company. The collection contains primarily early railroad Americana, including interior and exterior views of private and business cars as well as passenger and street cars. The collection is an important part of the historical record of the railroad car-building industry as well as the history of architecture and interior design.

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Creators:
Hays, Lee, 1914-1981
Dates:
1923-1981
Size:
6.95 Cubic feet (Papers)
0.9 Cubic feet (Audiorecordings)
Collection ID:
CFCH.HAYS
Repository:
Ralph Rinzler Folklife Archives and Collections

The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.

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Creators:
Murch, Walter
Dates:
1880-1970
Size:
8.2 Linear feet
Collection ID:
AAA.murcwalt
Repository:
Archives of American Art

The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.

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Creators:
Smithsonian Institution
Dates:
circa 1915-1941
Size:
26.46 cu. ft. (8 record storage boxes) (18.46 non-standard size boxes)
Collection ID:
Accession 05-142
Repository:
Smithsonian Institution Archives

This accession consists of sound recordings created by, acquired by, or about the Smithsonian Institution and its staff. Highlights of the collection include recordings of Native American languages being spoken or sung and radio programs, including much of "The World is Yours" program. These records were transferred to the National Archives p...

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Creators:
Smithsonian Institution Traveling Exhibition Service
Dates:
1950-1962
Size:
8.5 cu. ft. (17 document boxes)
Collection ID:
Record Unit 316
Repository:
Smithsonian Institution Archives

These records primarily document exhibitions circulated by the Smithsonian Institution Traveling Exhibition Service from its inception in 1952 through 1962, with documentation on several exhibitions continuing for the years 1963 to 1965. Records include correspondence, shipping and storage bills, exhibition catalogues, newspaper clippings, and...

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Creators:
Pulford, Florence
Dates:
1993
1968-1989
undated
Size:
722 Photographic prints
458 Slides (photographs)
2580 Negatives (photographic)
65 Sound cassettes
Collection ID:
NMAI.AC.027
Repository:
National Museum of the American Indian

The Florence Pulford collection includes both audio recordings and photographs that were made during the twenty years Pulford worked among Native American quilt makers in the 1970's and 1980's from Montana and the Dakotas. Quilt makers featured in this collection include; Ella First Kill Brown, Frances Weasel Woman Fox, Artie Crazy Bull, Almira Buffalo Bone Jackson and Regina Brave Bull.

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Creators:
Harrington, John Peabody, 1884-1961
Dates:
1907-1959 (some earlier)
Size:
683 Linear feet
Collection ID:
NAA.1976-95
Repository:
National Anthropological Archives

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

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Creators:
Bunch, Lonnie G.
Dates:
1952-2010
Size:
26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
Collection ID:
Accession 19-200
Repository:
Smithsonian Institution Archives

The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions. The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists, ...

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