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Creators:
Gilder, Dorothea
Dates:
1897-1920
Size:
0.6 Linear feet
Collection ID:
AAA.gilddoro
Repository:
Archives of American Art

The Dorothea Gilder papers regarding Cecilia Beaux date from 1897 to 1920 and include correspondence between Beaux and Gilder, scattered printed materials, and two photographs of Beaux with Gilder and other friends. The papers are comprised primarily of correspondence between Cecilia Beaux and her close, life-long friend and intimate companion Dorothea Gilder between 1897 and 1920. The letters recount daily activities, travels, work, social life, attitudes, and aspects of their intimate relationship.

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Creators:
Thibault/Teabo, André, 1948?
Dates:
circa 1930s-2003
bulk 1980-1998
Size:
0.9 Linear feet
Collection ID:
AAA.thibandr
Repository:
Archives of American Art

The papers of studio assistant Andre Thibault/Teabo regarding African American painter Romare Bearden measure 0.9 linear feet and date from circa 1930s to 2003 with the bulk of the material dating from 1980 to 1998. The papers consist of administrative records such as financial and gallery records. Correspondence includes letters from Romare Bearden, his wife Nanette and Andre Thibault. Of note is correspondence between Thibault and Nanette concerning the signature on a Bearden painting. Printed material includes exhibition catalogs, posters, magazines, art books and source material used by Bearden. Artwork consists of a self-portrait, a sketchbook, collage pieces, and oversize drawings by Bearden. Photographic material is comprised of photographs of Bearden, his art, studio, Andre Thibault/Teabo, Russell Goings and others.

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Creators:
Thurman, Sue M., 1927-2012
Brown, Robert F.
Dates:
1993 April 23-1998 March 11
Size:
5 Items (sound cassettes, analog.)
162 Pages (Transcript)
Collection ID:
AAA.thurma93
Repository:
Archives of American Art

An interview with Sue M. Thurman conducted 1993 April 23-1998 March 11, by Robert F. Brown for the Archives of American Art over 7 sessions, in Thurman's home, Brookline, Massachusetts.

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Creators:
Stillman, James, 1850-1918
Dates:
1882-1898
Size:
0.2 Linear feet
Collection ID:
AAA.stiljame
Repository:
Archives of American Art

The James Stillman letters relating to Homer Dodge Martin measures 0.2 linear feet and consists of 28 letters and 2 pencil sketches dating from 1882-1898. Primarily from late-19th century painter Homer Dodge Martin and his wife, Elizabeth, to art patron and banker, James Stillman, the letters discuss consignment, exhibition and sale of Martin's artwork, his experiences painting while living in France, his financial struggles, and his physical and mental condition. Two pencil sketches by Martin are accompanied by a note dated 1884. Also found are 2 letters from Martin to Mr. Van Loon discussing payment for paintings and 2 letters to Stillman from Bancel La Farge concerning Stillman's purchase of a La Farge watercolor.

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Creators:
Hart, Charles Henry, 1847-1918
Dates:
1731-1918
Size:
1.71 Linear feet
Collection ID:
AAA.hartchar
Repository:
Archives of American Art

The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.71 linear feet comprised of 232 letters, portrait prints, and other documents signed by American artists. There is a .01 linear foot (6 items) unprocessed addition to this collection donated in 2021 that includes a letter from Winslow Homer to Mr. Clarke, November 28, 1892; typed and annotated lists of autographs of artists in the collections of Charles Henry Hart; handwritten note about English painter and engraver, John Keyse Sherwin, undated; handwritten note regarding Gennearino Persico, miniature artist, July 18, 1826.

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Creators:
Takamori, Akio, 1950-
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2009 March 20-21
Size:
8 Items (wav files (7 hr., 51 min.), digital)
184 Pages (Transcript)
Collection ID:
AAA.takamo09
Repository:
Archives of American Art

An interview of Akio Takamori conducted 2009 March 20-21, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Takamori's studio, in Seattle, Washington.

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Creators:
Eisenlord, William J., 1926-1997
Dates:
1953-1976
Size:
0.3 Linear feet
Collection ID:
AAA.eisewill
Repository:
Archives of American Art

The photographs of San Francisco photographer William J. Eisenlord measure 0.3 linear feet and date from 1953-1976. Photographs depict the City Lights Bookstore of San Francisco, California and the exhibition opening of "Poets of the Cities" at the San Francisco Museum of Art in 1976. Also included are photographs of jazz and beat poetry performances taken by Ed Nyberg in 1957.

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Creators:
Fitzgerald, James, 1899-1971
Dates:
1905-1992
Size:
4.6 Linear feet
Collection ID:
AAA.fitzjame
Repository:
Archives of American Art

The papers of painter James Fitzgerald measure 4.6 linear feet and date from 1905 to 1992. Found within the papers are biographical materials; personal and business correspondence, including fifty-one letters from Rockwell Kent; personal business records; writings; artwork consisting of drawings and 21 sketchbooks; printed material, including a scrapbook of clippings and catalogs; and photographs of Fitzgerald, his family and friends, and his work.

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Creators:
Bierstadt, Albert, 1830-1902
Dates:
1860-1900
Size:
0.2 Linear feet
Collection ID:
AAA.bieralbe
Repository:
Archives of American Art

This small collection measures 0.2 linear feet and comprises 13 letters written by renowned Hudson River School landscape painter Albert Bierstadt between 1860 and 1900. The majority of the letters were penned in the last two decades of his life and discuss his painting, the inspiration he found in nature, his studio, and concerns relating to commissions and finances.

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Creators:
Clark, Edward, 1926-2019
Dates:
1923-2017
Size:
8.9 Linear feet
Collection ID:
AAA.clarked
Repository:
Archives of American Art

The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.

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