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Creators:
Hatch, Lorenzo James, 1856-1914
Dates:
bulk 1902-1914
circa 1890-1950
Size:
1.7 Linear Feet
Collection ID:
AAA.hatclore
Repository:
Archives of American Art

The Lorenzo James Hatch and Hatch family papers measure 1.7 linear feet and date from circa 1890-1950, with the bulk of the materials dating from 1902-1914. The papers consist of family correspondence, printed material, three scrapbooks of printed materials and photographs, and a travel account. Letters are from Lorenzo Hatch, his wife Grace Harrison Hatch, and other family members. Most of the collection concerns the family's time in Peking (Beijing), China from 1908-1914 while Hatch was assisting the Chinese government create a Bureau of Printing and Engraving. The papers reveal impressions of the social and economic conditions of the Chinese, the revolutionary events of 1911 and 1912, the Pneumonic Plague epidemic in China from 1910-1911, and sight-seeing trips. An unprocessed addition of 0.4 linear feet includes biographical material; photographs of Hatch, his family and works of art; personal correspondence; artwork; printed material, and legal and financial records relating to the estate of Lorenzo Hatch. Also included is a horseshoe from Harrison Hatch's pony "Moses" (in China).

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Creators:
Maidenform, Inc.
Dates:
1922-1997
Size:
35 Cubic feet (87 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0585
Repository:
Archives Center, National Museum of American History

Patent and trademark documents, advertisements, sales and marketing material, market research, photographs, packaging, company newsletters and magazines, and business records documenting the history of the Maidenform Company from 1922 to1997.

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Creators:
Meigs, Montgomery C., 1816-1892
Dates:
1870 - 1890
Size:
12.5 Cubic feet (27 boxes)
Collection ID:
NMAH.AC.0984
Repository:
Archives Center, National Museum of American History

The collection documents Mongomery C. Meigs, an Army officer, engineer, architect, and scientist. Meigs's papers include scrapbooks and photographs relating primarily to his work on the Pension Building and the Washington Aqueduct in Washington, D.C. but also his interest in politics, military affairs, construction, Native Americans, inventions, real estate, and financial matters.

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Creators:
Science Service
Dates:
1902-1965
Size:
268.55 cu. ft. (79 record storage boxes) (372 document boxes) (2 12x17 boxes) (3 3x5 boxes) (3 5x8 boxes) (2 tall document boxes)
Collection ID:
Record Unit 7091
Repository:
Smithsonian Institution Archives

The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director. ...

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Dates:
1991
Size:
2 videotapes (reference copies).
Collection ID:
Record Unit 9564
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Premselaar, S. Joel, 1920-
Dates:
bulk Circa early 1946
1958-1962
Size:
0.06 Cubic feet
Collection ID:
NASM.2003.0022
Repository:
National Air and Space Museum Archives

This collection consists of two groups of material from United States Navy pilot S. Joel Premselaar (b. 1920); the first group contains predominantly aerial and ground photographs of Ground Zero at Hiroshima, Japan, taken by Premselaar in early 1946; the second group consists primarily of one VHS videotape reproducing films from 1958-1962 documenting Project Pilot (NOTSNIK, NOTS-EV-1), Project Caleb (NOTS-EV-2), and Satellite Interceptor Project (SIP) rockets.

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Creators:
March, Benjamin, 1899-1934
Dates:
1923-1934
Size:
15 Linear feet
Collection ID:
FSA.A1995.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

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Creators:
Tremaine, Emily Hall, 1908-1987
Dates:
circa 1890-2004
Size:
8.9 Linear feet
Collection ID:
AAA.trememil
Repository:
Archives of American Art

The papers of art collector Emily Hall Tremaine measure 8.9 linear feet, date from circa 1890 to 2004, and document the development of Tremaine's seminal collection of modernist, pop, and contemporary art. The papers comprise biographical material including a sound recording, personal correspondence, art collection files, artist files, exhibition loan files including a video recording, and reproduction request files. Also found are two scrapbooks documenting Tremaine's first marriage to Baron Maximilian von Romberg; and photographs of Tremaine, her family and friends, and works of art from her collection.

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Creators:
Hirshhorn, Joseph H.
Dates:
circa 1926-1982 and undated
Size:
29.78 cu. ft. (27 record storage boxes) (1 document box) (3 16x20 boxes) (3 oversize folders)
Collection ID:
Record Unit 7449
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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