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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1975
Size:
516 Sound tape reels (approximate)
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1975
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1708-1977
Size:
1,150 Cubic feet (approximately. Series 1 contains approximately 1108 cubic feet consisting of approximately 2050 boxes, approximately 326 oversize boxes, and map case material. Additional material in Series 2-4 is unquantified. With also, some digital images of select collection materials.)
Collection ID:
NMAH.AC.0060
Repository:
Archives Center, National Museum of American History

The Warshaw Collection consists of approximately 1,150 cubic feet of material currently contained in approximately 2,050 vertical document boxes, approximately 326 flat oversize boxes, 34 map case drawers of oversize materials, 56 volumes of photographic photo prints, 17 boxes of 4 x 5 color transparencies and black and white photonegatives, 11 box...

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
undated
1842-1965
Size:
4.59 Cubic feet (consisting of 8 boxes, 2 half boxes, 5 folders, 7 oversize folders, 2 map case folders, 2 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Pianos
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Pianos forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Dates:
1958-1992
Size:
5.9 linear meters.
Collection ID:
Record Unit 106
Repository:
Smithsonian Institution Archives

These records include tape recordings made or received by the Office of Public Affairs, usually of Smithsonian events or by Smithsonian staff. They also include tapes made of animal sounds for the National Museum of Natural History Audioguide and other tapes received by the Archives, regardless of origin. Some of these recordings come from co...

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Creators:
Warshaw, Isadore, d. 1969
Dates:
circa 1845-1953
Size:
1.9 Cubic feet (consisting of 4 boxes, 1 folder, 3 oversize folders, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Leather
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Hirshhorn Museum and Sculpture Garden. Development
Dates:
1999-2015
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 16-238
Repository:
Smithsonian Institution Archives

This accession consists of records documenting development activities and special events at the Hirshhorn Museum and Sculpture Garden (HMSG). Materials include planning documents, reports, manuals, meeting materials, brochures, invitations, programs, photographs, and related materials.

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Creators:
Geary, Christraud M.
Dates:
1994
Size:
527 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1994-008
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Dr. Christraud M. Geary during a research trip to Kenya and Tanzania in August 1994.

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Creators:
Cancel, Luis R.
Dates:
circa 1900-1998
bulk 1970-1996
Size:
10.1 Linear feet
Collection ID:
AAA.cancluis
Repository:
Archives of American Art

The papers of arts administrator and artist Luis Cancel measure 10.1 linear feet and date from circa 1900 to 1998 with the bulk of the material dating from 1970 to 1996. The collection is comprised of biographical material, professional files, arts administration records documenting his directorship at the Bronx Museum of the Arts and as Commissioner for the Department of Cultural Affairs in New York, subject and artist's files, files for the exhibition Legacy / Legado, printed materials, photographs, and unidentified sound recordings.

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Dates:
1989-1990
Size:
files (Reference copies).
Collection ID:
Record Unit 9552
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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