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Creators:
Pène Du Bois, Guy , 1884-1958
Dates:
circa 1900-1963
bulk 1920-1963
Size:
2 Linear feet
Collection ID:
AAA.duboguyp
Repository:
Archives of American Art

The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.

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Creators:
Presser, Josef, 1906-1967
Dates:
1913-1980
Size:
4.3 Linear feet
Collection ID:
AAA.presjose
Repository:
Archives of American Art

The papers of New York painters and teachers Josef Presser and Presser's wife Agnes Hart measure 4.3 linear feet and date from 1913 to 1980, with the bulk of the material from 1940 to 1980. The collection documents their personal and professional lives as artists and educators and consists of biographical material, business and personal correspondence, teaching files, printed material, and scattered photographs. The collection also includes writings, personal business records, and artwork by Presser.

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Creators:
Brown, F.C. (Fay Cluff)
Dates:
1902 - 1964
Size:
4.5 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0693
Repository:
Archives Center, National Museum of American History

F.C. Brown was a physicist and inventor who created and supervised the development of education exhibits, most notably as organizing director of the New York Museum of Science and Industry (part of the Museums of the Peaceful Arts), 1926-1931. He was also curator of physics exhibits at Chicago's Museum of Science and Industry, 1932-1937. Much of Brown's scientific research focused on the element selenium. He invented the phonopticon, an improvement on the optophone (invented by Fournier d'Albe, 1912). Material focuses on Dr. Brown's professional life: correspondence, photographs, photo albums, scrapbooks, and ephemera from the positions he held and research he conducted. Very little personal information is included.

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Creators:
Walinska, Anna
Dates:
1927-2002
bulk 1935-1980
Size:
2.1 Linear feet
Collection ID:
AAA.walianna
Repository:
Archives of American Art

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

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Creators:
Schmitt, Waldo L. (Waldo Lasalle), 1887-1977.
Dates:
1907-1978
Size:
79.56 cu. ft. (6 record storage boxes) (121 document boxes) (2 half document boxes) (4 12x17 boxes) (60 3x5 boxes) (3 5x8 boxes) (2 film boxes) (oversize material)
Collection ID:
Record Unit 7231
Repository:
Smithsonian Institution Archives

The papers of Waldo LaSalle Schmitt provide comprehensive documentation of his professional career, 1907-1977. They also illustrate, to a lesser degree, his personal life. Particularly well represented in the papers is material concerning Schmitt's carcinological research, his curatorial and administrative careers at the United States Nat...

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Creators:
Association of Field Ornithologists
Dates:
1977-1989
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 90-035
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the operation and activities of the Association of Field Ornithologists (AFO). Included are fiscal records, records concerning annual and council meetings, and reports of officers and committees.

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Creators:
Thomas, Alma
Dates:
circa 1894-2001
Size:
5.5 Linear feet
Collection ID:
AAA.thomalma
Repository:
Archives of American Art

The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

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Dates:
1865–1872
Size:
15 Reels
Collection ID:
NMAAHC.FB.M1869
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 15 rolls of microfilm described in the NARA publication M1869. These digital surrogates reproduced the records of the Florida headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of 25 bound volumes and approximately 12 linear feet of unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Dates:
1865-1872
Size:
36,346 digital files
Collection ID:
NMAAHC.FB.M1906
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 42 rolls of microfilm described in the NARA publication M1906. These digital surrogates reproduced the records of the Maryland and Delaware field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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Creators:
Starr, Nina Howell
Dates:
circa 1933-1996
Size:
21.2 Linear feet
Collection ID:
AAA.starnina
Repository:
Archives of American Art

The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

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