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Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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Creators:
Sims, Lowery Stokes
Richards, Judith Olch
Elizabeth Murray Oral History of Women in the Visual Arts Project
Dates:
2010 July 15-22
Size:
110 Pages (Transcript)
Collection ID:
AAA.sims10
Repository:
Archives of American Art

An interview of Lowery Stokes Sims conducted 2010 July 15 and 22, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sims' home, in New York, N.Y.

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Dates:
2006
Size:
11 compact discs (reference copies).
Collection ID:
Record Unit 9620
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Progra...

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Dates:
1954-2017
Size:
2.84 Linear feet (3 boxes)
Collection ID:
ACMA.03-102
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

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Creators:
Lemelson Center
Dates:
1995-2014
Size:
29 cu. ft. (27 record storage boxes) (4 document boxes)
Collection ID:
Accession 16-092
Repository:
Smithsonian Institution Archives

This accession consists of audio and visual recordings of Lemelson Center special events, exhibitions, symposia, and general activities used for broadcast. Major programs documented within this collection include "Nobel Voices: Celebrating 100 Years of the Nobel Prize;" "Lewis Latimer: Renaissance Man;" "Reinventing the Wheel: The Continuing ...

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Creators:
Tucker, Marcia
Dates:
1973-1994
Size:
2.4 Linear feet
Collection ID:
AAA.tuckmarc
Repository:
Archives of American Art

The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.

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Creators:
Smithsonian Institution. Assistant Secretary for the Arts and Humanities
Dates:
1983-1994
Size:
25.89 cu. ft. (23 record storage boxes) (1 16x20 box) (5 blueprint storage boxes)
Collection ID:
Accession 94-082
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda pertaining to Experimental Gallery proposals, installation of exhibitions, gallery activities with the public, and research; administrative files concerning financial reports, funding (through the Cafritz and Rockefeller foundations, as well as the Pew Charitable Trusts), contracts, ex...

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Creators:
Freed, Hermine
Dates:
1945-1966
Size:
0.01 Linear feet
Collection ID:
AAA.benhherm
Repository:
Archives of American Art

The papers of Hermine Benhaim Freed measure 0.01 linear feet (7 items) and date from 1945 to 1966. The collection mostly consists of material Freed gathered about New York gallery owner Howard Putzel, such as Benhaim's paper on Howard Putzel, "Howard Putzel and the Beginnings of Abstract Expressionism," written for a Modern Art Seminar at New York University. Also included are letters to Freed, 1966, about Putzel from Joseph Allen, Peggy Guggenheim, Kenneth MacPherson and Gordon Onslow-Ford; and a typescript and a clipping of reviews of the exhibition "A Problem for Critics," 1945, organized by Putzel.

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Creators:
Crimp, Douglas
Fialho, Alex, 1989-
Dates:
2017 January 3-4
Size:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Collection ID:
AAA.crimp17
Repository:
Archives of American Art

An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.

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Creators:
Woell, J. Fred, 1934-
Gold, Donna, 1953-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 June 6-2002 January 19
Size:
75 Pages (Transcript)
Collection ID:
AAA.woell01
Repository:
Archives of American Art

An interview of J. Fred Woell conducted 2001 June 6-2002 January 19, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home and studio, Deer Isle, Maine.

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