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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1890-1929
Size:
14.6 linear meters.
Collection ID:
Record Unit 45
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Dates:
1986-1994
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Accession 95-049
Repository:
Smithsonian Institution Archives

These documents pertain to the planning, coordination and funding for "Nuestros Bosques, Nuestros Herencia" (Our Forests, Our Heritage) a traveling educational exhibit about tropical rainforests in the Americas. The exhibit was cooperatively produced by teams from other Latin American countries, and it was developed out of the Smithsonian's ...

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Creators:
Gerber, H. Joseph
Gerber Scientific Instrument Company (Hartford, Conn.).
Dates:
1911 - 1999
Size:
75 Cubic feet (182 boxes)
Collection ID:
NMAH.AC.0929
Repository:
Archives Center, National Museum of American History

Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.

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Creators:
Sarchiapone, Cosmos Andrew, 1931-2011
Dates:
circa 1860-2011
bulk 1940-2011
Size:
49.2 Linear feet
Collection ID:
AAA.sarccosm
Repository:
Archives of American Art

The papers of New York City photographer, conceptual artist, and musical composer Cosmos Sarchiapone measure 49.2 linear feet and date from circa 1860-2011, with the bulk of the materials dating from 1940-2011. The collection includes biographical material and personal business records; correspondence; extensive writings, including written and recorded music compositions; teaching files; printed material and published sound and video recordings; photographic material; artwork; artifacts; and unpublished sound recordings and born digital material. Highlights of the collection are more than 40,000 photographic images documenting New York's avant-garde art scene of the 1970s, along with celebrity parties, concerts, exhibition openings and other occasions in the art, music, and theater world. Extensive and somewhat rare printed materials offer users a visual chronical of the downtown art world in the form of posters from the 1970s, including a number of Milton Glaser's, and hundreds of exhibition announcements, theater programs, and playbills.

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Creators:
Maxey, H. David
Smithsonian Institution National Museum of American History
Dates:
1939-1999
Size:
8 Cubic feet
Collection ID:
NMAH.AC.0417
Repository:
Archives Center, National Museum of American History

The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn, Elliot Sivowitch and Harold Wallace of the National Museum of American History's Division of Information, Technology, and Society.

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Creators:
Conklin, Harold C., 1926-2016
Greenberg, Joseph H. (Joseph Harold), 1915-2001
Harwood, Alan
Dates:
circa 1940s-2001
bulk 1953-2001
Size:
27 Linear feet (60 boxes, 2 manuscript folders), 8 sound recordings, 35 computer disks, 1 oversize box, 1 oversize folder, 1 map drawer)
Collection ID:
NAA.2006-25
Repository:
National Anthropological Archives

Alan Harwood is a Professor Emeritus at University of Massachusetts, Boston in the Anthropology Department. Trained in social anthropology he has studied illness and healing in Tanzania and communities in New York City and Boston. Harwood was the founding editor of Medical Anthropology Quarterly (new series, 1986-1991) and series editor of Cambridge Studies in Medical Anthropology (1999-2004) The bulk of this collection is composed of Alan Harwood's 1962-1964 ethnographic research among the Safwa in Tanzania (then known as Tanganyika); his research on health beliefs and medical practices of residents in a low-income area of the Bronx, New York (1967-1970); and his research in Boston, Massachusetts on different ethnic groups' conceptions of health (1994-1995). Also among his papers are materials from his involvement in the Centers for Disease Control and American Anthropological Association (AAA) Workgroup on "The Use of Race & Ethnicity as Scientific Categories" at the 1994 AAA meeting.

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Smithsonian Institution, Assistant Secretary for Research
Dates:
1976-1986
Size:
34.5 cu. ft. (34 record storage boxes) (1 document box)
Collection ID:
Accession 88-140
Repository:
Smithsonian Institution Archives

This accession consists of records pertaining to offices reporting to the Assistant Secretary for Research as well as includes materials regarding projects funded by the Scholarly Studies Program.

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Creators:
Mamer, Stuart M.
Mamer, Louisan E., 1910-2005
Dates:
1927-2002
Size:
10.1 Cubic feet (31 boxes, 1 oversized folder)
Collection ID:
NMAH.AC.0862
Repository:
Archives Center, National Museum of American History

The Mamer collection includes a wide range of materials used to teach concepts and the usage of electricity to predominately rural audiences. Mamer kept many of her materials in labeled notebooks; other papers were filed loosely with no apparent order. The collection materials date pre-dominantly from the mid-1940s to the mid-1950s. There are some materials from the late 1930s. There is only one item from 1927 and one from 1999.

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Creators:
Sheets, Millard, 1907-1989
Dates:
circa 1907-2000
Size:
27.6 Linear feet
Collection ID:
AAA.sheemill
Repository:
Archives of American Art

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

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