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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Creators:
Morrison, Joan, -2010
Morrison, Robert K.
Beirne, Barbara T.
Dates:
1985 - 1987
Size:
6 Cubic feet (20 boxes )
Collection ID:
NMAH.AC.0359
Repository:
Archives Center, National Museum of American History

The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.

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Creators:
National Museum of American History. Division of Home and Community Life
Dates:
1893, 1915, 1964-2006
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 15-267
Repository:
Smithsonian Institution Archives

This accession consists of the records of Claudia Brush Kidwell and Anne Wood Murray documenting curatorial and professional activities in the Section of American Costume which, prior to 1969, was in the Division of Political History at the Museum of History and Technology; the Division of Costume and Furnishings; the Division of Costume; and ...

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Creators:
Slobodkina, Esphyr, 1908-2002
Bolotowsky, Ilya, 1907-1981
Dates:
circa 1925-1995
Size:
1.9 Linear feet
Collection ID:
AAA.slobesph
Repository:
Archives of American Art

The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.

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Creators:
Bonaparte, Roland, prince, 1858-1924
Dates:
circa 1883-1884
Size:
138 mounted prints (albumen, 5 album boxes)
13 Photographic prints (collotype, 1 album box)
64 Photographic prints (color, 1 album box)
Collection ID:
NAA.PhotoLot.80-52
Repository:
National Anthropological Archives

Photographic portfolios made by Prince Roland Bonaparte in his "Collection Anthropologique" group. The bulk of the collection consists of individual portraits of "Peaux-Rouges" (Omaha Indians), "Kalmouks" (Kalmyks), "Hindous" (Hindus), "Hottentots" (Khoikhoi), Somalis, "Atchinois" (Acehnese), and Surinamese. There are also some images of clothing, dwellings and animals, including camels and horses.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
National Museum of American History. Office of the Director
Dates:
circa 1945-1987 and related records, 1920-1930
Size:
103.51 cu. ft. (100 record storage boxes) (1 12x17 box) (7 tube boxes) (oversize materials)
Collection ID:
Record Unit 334
Repository:
Smithsonian Institution Archives

These records document the tenures of Frank A. Taylor, John C. Ewers, and Robert P. Multhauf as Directors of the Museum of History and Technology (NMHT); of Daniel J. Boorstin, Brooke Hindle, and Roger G. Kennedy as Directors of the National Museum of History and Technology; and of Roger G. Kennedy as Director of the National Museum of Am...

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Sachs, Charlotte Cramer, 1907-2004
Dates:
1905-2002
bulk 1940-2002
Size:
4 Cubic feet (13 boxes)
Collection ID:
NMAH.AC.0878
Repository:
Archives Center, National Museum of American History

Papers relating to Charlotte Cramer Sachs's life and career as an inventor mainly of food and household-related products: correspondence, photographs, business papers, awards, patents, printed materials, notes, and miscellany. The collection primarily consists of invention-related marketing materials including invention samples and prototypes, notes, clippings, business correspondence, and customer account records.

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Creators:
Slivka, Rose
Dates:
circa 1947-2006
Size:
20.8 Linear feet
Collection ID:
AAA.slivrose
Repository:
Archives of American Art

The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.

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