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Creators:
Gropper, William, 1897-1977
Dates:
1916-1983
Size:
3.3 Linear feet
Collection ID:
AAA.gropwill
Repository:
Archives of American Art

The papers of painter, illustrator, muralist, and political activist William Gropper measure 3.3 linear feet and date from 1916-1983. Almost one-half of the collection consists of printed materials, including full issues of New Masses, Liberator, and Der Hammer, all featuring illustrations by Gropper. Circa 600 letters include those written to Gropper by Frank Crowninshield, Robert Henri, Louis Lozowick, Raphael Soyer, and others. Also found are photographs of Gropper, his family, colleagues, and friends, as well as scattered writings and notes, business records, biographical information, three drawings, and a fabric sample designed by Gropper.

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Creators:
Mamer, Stuart M.
Mamer, Louisan E., 1910-2005
Dates:
1927-2002
Size:
10.1 Cubic feet (31 boxes, 1 oversized folder)
Collection ID:
NMAH.AC.0862
Repository:
Archives Center, National Museum of American History

The Mamer collection includes a wide range of materials used to teach concepts and the usage of electricity to predominately rural audiences. Mamer kept many of her materials in labeled notebooks; other papers were filed loosely with no apparent order. The collection materials date pre-dominantly from the mid-1940s to the mid-1950s. There are some materials from the late 1930s. There is only one item from 1927 and one from 1999.

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Creators:
Reed, Roland, 1864-1934
Rinehart, F. A. (Frank A.)
Muhr, Adolph F., -1913
Dates:
1882-1913
Size:
43 Photographic prints
0.25 Linear feet
Collection ID:
NMAI.AC.289
Repository:
National Museum of the American Indian

This collection consists of 43 photographic prints of Native American peoples from throughout North America. Dating from 1882 to 1913, the images in this collection document a variety of Native American communities and events, including the U.S. Indian Congress which took place at the 1898 Trans-Mississippi and International Exposition in Omaha, Nebraska. Photographers include Frank A. Rinehart, Adolph F. Muhr, and Roland W. Reed, as well as a series of images by an unknown photographer who also documented American Indian life.

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Creators:
Speck, Frank G. (Frank Gouldsmith), 1881-1950
Museum of the American Indian, Heye Foundation
Dates:
1909-1937
Size:
1428 Negatives (photographic)
40 Photographic prints (black & white)
Collection ID:
NMAI.AC.001.032
Repository:
National Museum of the American Indian

The Frank Gouldsmith Speck photograph collection includes portraits of individuals and families, as well as scenic shots and landscape views made between 1909 and 1937. Speck was an anthropologist and ethnographer, a professor at the University of Pennsylvania, and worked on behalf of the Museum of the American Indian, Heye Foundation collecting ethnographic materials across the Eastern United States and Canada. His collection of photographs includes materials from native communities ranging from Newfoundland to Ontario in Canada and from Maine to South Carolina in the United States.

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Creators:
Philadelphia Museum of Art
Dates:
1866-1968
Size:
4 Microfilm reels
Collection ID:
AAA.philmuss
Repository:
Archives of American Art

Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.

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Creators:
Moore, Benson Bond, 1882-1974
Dates:
1902-1995
Size:
5.7 Linear feet
Collection ID:
AAA.moorbens
Repository:
Archives of American Art

The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

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Creators:
Cordry, Donald Bush
Museum of the American Indian, Heye Foundation
Dates:
1933-1940
Size:
93 Photographic prints
9 Negatives (photographic)
24 Copy negatives
Collection ID:
NMAI.AC.001.008
Repository:
National Museum of the American Indian

Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.

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Creators:
Adams, Molly, 1918-2003
Dates:
circa 1960-1994
Size:
0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 Contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 Film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
Collection ID:
AAG.ADM
Repository:
Archives of American Gardens

The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

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Creators:
Baker, Mildred, 1905-
Dates:
1882
1923-1997
Size:
2.7 Linear feet
Collection ID:
AAA.bakemild
Repository:
Archives of American Art

The papers of arts administrator Mildred Baker measure 2.7 linear feet and date from 1882 to 1997, with the bulk of the material dating from 1923 to 1997. Found within the papers are biographical materials; personal and professional correspondence; writings; files related to her work on the WPA Federal Art Project and other institutional art projects; printed material; photographs of Baker; and photographs and papers related to the work of her husband, Jacob Baker, who also administered programs for the WPA.

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Creators:
California Art Research Project
Dates:
1936-1937
Size:
20 Volumes ((on 2 microfilm reels))
Collection ID:
AAA.caliarp
Repository:
Archives of American Art

Twenty volumes of the publication, CALIFORNIA ART RESEARCH, containing monographs on artists whose principal residence was San Francisco.

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