The records of New York City Grace Borgenicht Gallery date from circa 1953 to 1996 and measure 18.2 linear feet. The records include administrative files, correspondence, financial and legal records, exhibition files, printed material, two scrapbooks, and photographic negatives of artwork. The majority of the collection consists of artists' files.

The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.

The papers of abstract painter and teacher John Opper measure 1.4 linear feet and 0.057 GB and are dated 1926-2011. The papers contain both professional and personal corespondence, including letters from immediate family. Biographical materials consist of essential data including passports, birth and death certificates, and curricula vitae. Some geneological documents are in digital format. Personal business records relate to the artist's Bowery Street and Amagansett studios, and to art sales through the Grace Borgenicht Gallery. A scrapbook contains newspaper clippings. Additional clippings, group and solo exhibition catalogs and announcements documenting Opper's career, and galley sheets of a children's book illustrated by Opper are included among the printed material. Photographs are of Opper, his family, friends, and paintings. Digital photographs depict the artist and relatives. The collection also contains a few pen and ink drawings by Opper.

The papers of New York abstract painter and educator Charles Schucker measure 1.2 linear and date from 1934 to 2001. Schucker's career as a painter is documented by biographical material, letters, writings, subject files, printed material, artwork, and photographs.

The records of the Sculptors Guild measure 5.7 linear feet, date from 1936-1979, and document the history of this non-profit artist organization from its inception in 1937 to the late 1970s. The records contain correspondence and minutes documenting the activities of the Guild's various committees, legal and financial records, artist files for Guild members, exhibition files, printed material, scrapbooks and photographs.

This small collection of scattered papers of American writer John Weatherwax (1900-1984) dates from 1928 to 1988 (bulk 1931-1933), and measures 0.4 liner feet. The papers document Weatherwax's relationship with Mexican artists Frida Kahlo and Diego Rivera. In 1931, John Weatherwax approached Rivera to illustrate his English translation of the Mayan story of creation, the Popol Vuh. Rivera agreed and produced twenty-four watercolor illustrations for the text. The papers contain Weatherwax's translation, "Seven Times the Color of Fire", as well as manuscript versions of two short stories he wrote about Diego Rivera and Frida Kahlo entitled "The Queen of Montogomery Street" and "Diego". Also found within the collection are correspondence, manuscripts and notes, printed materials, and photographs.

The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.

Biographical information, correspondence, subject files, notebooks, photographs, clippings, price lists concern Francis' work at the Cleveland Museum of Art, his friendship with George Kates, and his interest in painter William Sommer.

The collection comprises of 21 albums depicting the steel making and finishing operations of the United States Steel Corporation. All of the images were made by Russell Aikins around 1940. The albums contain photographic prints (8" x 9-1/2"). The majority of prints are mounted on spiral-bound pages. The photographs were created for public relations...

This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.