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Creators:
Bladensburg Union Burial Association
Dates:
1874–1978
bulk 1920-1970
Size:
3.64 Linear feet (4 boxes)
Collection ID:
ACMA.06-025
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1874 to 1978 and measures 3.64 linear feet, documents the history of the Bladensburg Union Burial Association. The records include the Association's constitution, by-laws, treasurer reports, receipts, and correspondence.

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Creators:
Palmer, Edward, 1829-1911
Dates:
1868
Size:
1 Drawing (watercolor, 24 x 23 cm.)
Collection ID:
NAA.MS127601
Repository:
National Anthropological Archives

One drawing on one leaf of unruled paper. The drawing depicts two men wearing breastplates. One of the men is wearing face paint and holding a mirror board. The other man is wearing a set of hairplates. The drawing is inscribed "Drawings Made by a Comanche Indian" and "Presentd by Dr E Palmer".

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Creators:
Ward, Herbert, 1863-1919
Dates:
circa 1886-1889
Size:
51 Drawings (Disbound album :)
Collection ID:
NAA.MS1999-23
Repository:
National Anthropological Archives

This collection is composed of a disbound album containing fifty-one drawings by Herbert Ward, made when he was a member of the Emin Pasha Relief Expedition. Most of the drawings depict men and women of the upper Congo River, but several others depict tools and implements.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Mattachine Society of Washington
Dates:
1978-2013, undated
Size:
4.1 (13 boxes) Cubic feet
Collection ID:
NMAH.AC.1428
Repository:
Archives Center, National Museum of American History

Papers and publications collected by the Mattachine Society of Washington, DC relating to the gay to straight conversion therapy program known as Love in Action (LIA) and director of the Memphis, Tennessee LIA, John J. Smid and author Garrard Conley.

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Creators:
Leigh, Douglas
Dates:
1903-1999
Size:
17.6 Linear feet
Collection ID:
AAA.leigdoug
Repository:
Archives of American Art

The collection measures 17.6 linear feet and dates from 1903 to 1999 (bulk 1924-1992) and documents the career of advertising designer and executive Douglas Leigh. Found are 83 volumes of publicity scrapbooks that contain mostly photographs, clippings, printed materials, and scattered letters, drawings, and blueprints. Also included are professional correspondence; photographs of project installations, aerial advertising, and entertainers; plaques and awards received by Leigh; and printed material, which includes clippings, press kits, advertising materials, designs and original sketches for projects by Leigh. The material reflects Leigh's continuously imaginative use of a wide range of media in promoting his clients' products. Among the projects/campaigns represented are 7up, Airships (Tydol, Flying Red Horse, MGM, Wonder Bread and others), Allied Chemical Tower, Amoco, BlueCross-Blue Shield, Camel cigarettes, Coca-Cola, EPOK, Eveready, Flamingo Frozen Foods, Four Roses Whiskey, Fram Oil Filters, Helmsley Building, Old Gold Cigarettes, Pan Am Building, Pepsi-Cola, R. J. Reynolds, Schaefer Beer, Spectaculars, Stag Beer, Times Tower Building, and Wilson Whiskey.

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Creators:
Hillary, Edmund, 1919-2008
Dates:
November 16, 1998
Size:
1 Sheet (31 x 38 cm.)
Collection ID:
FSA.A1998.09
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

One sheet bearing Hillary's signature, along with a line drawing of two figures climbing a mountain, both in black ink.

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Creators:
Hrdlička, Aleš, 1869-1943
Dates:
1875-1966
bulk 1903-1943
Size:
206.71 Linear feet (294 boxes, 138 folders, 9 rolled items, and 4 folios)
Collection ID:
NAA.1974-31
Repository:
National Anthropological Archives

The papers of Aleš Hrdlička, curator in the Division of Physical Anthropology, Department of Anthropology, United States National Museum of the Smithsonian Institution, offer considerable insight into the development of physical anthropology in the first half of this century. The papers include honors bestowed on Hrdlička, autobiographical notes, correspondence with many of the leading anthropologists of the day, anthropometric and osteometric measurements and observations (forming most of the collection), extensive photographs of Hrdlička's field work, manuscripts, research materials, and "My Journeys" (essentially a diary Hrdlička kept of his field work). In addition, there is material of a personal nature. The papers date from 1875 to 1966, but the bulk of the materials date from 1903 to 1943, the time of Hrdlička's career at the USNM.

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Creators:
Smithsonian Productions
Dates:
1976, 1985-1999
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 06-265
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual materials created during the production of "Monumental Propaganda;" "Yesterday's Tomorrows: Visions of the Future on Film;" "300 Years of American Papermaking;" "Woody Guthrie's Legacy;" "Phone Philm;" "Men of Greatness, Feats of Daring;" "Covering the Environment: Front Page or Yesterday's News?;" "...

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Creators:
McCombs, Solomon, 1913-1980 (Creek)
Dates:
1941-1974
Size:
2 Linear feet
Collection ID:
NAA.1974.0401
Repository:
National Anthropological Archives

Reflecting the professional activity of Solomon McCombs, Creek Indian artist, and promoter of his people's culture, these papers include correspondence, lectures, unpublished writings, photographs, and various other items collected by the artist. The bulk of the correspondence consists of two categories of incoming letters pertaining to McCombs' ...

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