Macbeth Gallery records
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Doll & Richards gallery records
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
John Bernard Myers papers
The John Bernard Myers papers span the period circa 1940s to 1987, bulk 1970-1987. The collection measures 2.0 linear feet and documents Myers's work as a writer, editor, and gallery director, and includes correspondence, writings, printed material, and photographs.
Peter A. Bradley papers
The papers of African American painter and former art dealer Peter A. Bradley measure 0.3 linear feet and date from 1966 to 1976 with additional material dating from 2003 and 2014. The papers include correspondence from Klaus Perls, Anthony Caro, Robert Gelfman and attorney Karl S. Lowenthal. Included with correspondence is a recommendation for Bradley written by Klaus Perls. The papers include photographs of Alexander Calder and his family, as well as a photograph of Bradley with Calder's work at Perls Galleries, Bradley with Kenneth Noland and Bradley with Steven Cannon. Printed material consists of a 1971 Picasso exhibition catalog and a 2014 issue of Gulf Coast. Also included are architectural plans and notes for Bradley's studio designed by John Johansen as well as personal financial information.
Charles Ramsburg papers
The papers of artist Charles Ramsburg (1942- ) measure 0.8 linear feet and 6.04 GB, and date from 1959-2020. The collection documents Ramsburg's career and art practice through biographical material, correspondence, exhibition files, printed material, and photographic material. Some email correspondence, three video recordings and the bulk of the photographs are in digital form.
Benedict Tatti papers
The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.
Francis Criss papers
The Francis Criss papers comprise 1.9 linear feet of material dating from 1916 to 1975 (bulk 1940-1969). The collection documents the painting and teaching career of modernist painter Francis Criss mainly through correspondence, handwritten notes for class lectures, exhibition files, newsclippings, scrapbooks, and photographs. Oversized reproductions of his commercial artwork are also found.
Thomas S. Holman research materials on Reginald Marsh
Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.
Ludwig Sander papers
The papers of American New York School painter Ludwig Sander measure 2.8 linear feet and date from 1910 to 1975. Found are biographical materials primarily consisting of army records; correspondence with family and colleagues discussing exhibitions and other art-related activities; diaries; personal scattered business records; address books and art history typescripts; sketchbooks and illustrations for magazines; photographs of Sander, his colleagues, his travels, and exhibition openings; and miscellaneous printed material. The collection documents Sander's career and interactions with some of the most important modern artists of twentieth century.
Max Weber papers
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.