Query: Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Loan Files
Dates:
1977-1987
Size:
10.58 cu. ft. (10 record storage boxes) (1 tall document box)
Collection ID:
Record Unit 542
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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in Record Unit 542 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
The Garden Club of America collection
Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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in AAG.GCA for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Pratt, Read Corporation Records
Creators:
Nickse, Hugo
Johnson, Hanford
Comstock, Cheney and Co.
Pratt, Read and Company
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Dates:
1839-1990
Size:
84 Cubic feet (106 boxes, 28 oversize folders)
Collection ID:
NMAH.AC.0320
Repository:
Archives Center, National Museum of American History

Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.

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in NMAH.AC.0320 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Western Union Telegraph Company Records
Creators:
United Telegraph Workers.
Western Union Telegraph Company
Dates:
circa 1820-1995
Size:
452 Cubic feet (871 boxes and 23 map folders)
Collection ID:
NMAH.AC.0205
Repository:
Archives Center, National Museum of American History

The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.

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in NMAH.AC.0205 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
American Academy in Rome records
Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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in AAA.ameracar for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
George Leslie Stout papers
Creators:
Stout, George L. (George Leslie)
Dates:
1897-1978
1855
Size:
6.4 Linear feet
Collection ID:
AAA.stougeor
Repository:
Archives of American Art

The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts & Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

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in AAA.stougeor for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
George V. Allen photograph collection of photographs of Native Americans and the American frontier
Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave …

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in NAA.PhotoLot.90-1 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Curatorial Records
Creators:
National Museum of American History. Division of Physical Sciences and Mathematics
Dates:
1956-1988 and undated
Size:
12 cu. ft. (24 document boxes) (oversize materials)
Collection ID:
Record Unit 332
Repository:
Smithsonian Institution Archives

These records include administrative files of the Division of Mathematics and its predecessors; Merzbach correspondence with computer industries, university professors, and pioneers or experts in the field of computing science; exhibition scripts, research material, and blueprints for the Hall of Mathematics; Computer History Project research files, correspondence, floor plans, and …

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in Record Unit 332 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
W. Atlee Burpee & Company Records - Accretion 2
Creators:
W. Atlee Burpee Company
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David, 1893-1980
Wm. Henry Maule (Firm)
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Dates:
circa 1873-1980
Size:
200 Cubic feet
Collection ID:
AAG.BUR2
Repository:
Archives of American Gardens

The W. Atlee Burpee & Company records, dated circa 1873-1986, document the firm's business activities developing plant varieties, working with contract seedsmen, and marketing and selling seeds. They include seed trial records, seed contracts, sales and acccounting records, inventories, office correspondence, seed catalogs, promotional and instructional materials, advertisements and advertising reports, contest letters, daybooks, photographs, reference materials, and other items relating to the company and some of its competitors. The collection also includes Burpee family papers.

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in AAG.BUR2 for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
Thomas Warren Sears photograph collection
Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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in AAG.SRS for Close Observation: The Oil Sketches of Frederic E. Church (Exhibition) (1980: New York, N.Y.)
176 records — Page 9 of 18