Many facets of Richard Lynch Garner's life and work as an early animal behaviorist observing primates in Africa are represented in these papers. Other than a few notebooks of poems and manuscripts of books Garner had published before he began his study of apes and monkeys, there is little material that reflects his personal life or his work before about 1890. These papers, covering the period of 1891 to 1941, contain a diary, correspondence, articles written for magazines, manuscripts, poetry, notes, data collected on chimpanzees, financial records, legal records, maps, biographical material, artwork, and photographs.

Papers relate to Mr. Faust's diverse career, including information on advertising in the 1920s, including two marketing studies from 1920 1922 of Sabetha, Kansas; his War Production Board experience, 1943-1944, which demonstrates the magnitude of that operation, its contribution to the war effort, and the extensive involvement of the American public in the salvage effort; and correspondence relating to his employment with and retirement from the Mutual Broadcasting Company, 1945-1948. These papers constitute a personal record of a successful career which reached its peak with important wartime civilian service.

This collection documents Horwitt's major projects from the 1930s to the 1960s.Project files include drawings, sketches, blueprints, correspondence, patents, legal correspondence, clippings, financial reports, and advertisements for Horwitt's projects. Samples of logos and letterheads he designed are included as well. The most thorough documentation pertains to the Braquette, the Cyclometer, the Museum Watch, and the Beta Chair. Drawings, sketches, blueprints, and plans are boxed separately, mostly flat. Interviews with individuals who worked with and knew Horwitt are on audio cassettes, "Recollections of Nathan Horwitt." Two short videos, "The Legend behind the Museum Watch" and "Movado Worldwide Museum" are stored on 3/4 in. video cassettes.

The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

The papers of illustrator, painter and teacher Jerry Hudson de Leon measure 0.9 linear feet and date from circa 1920s-1980. The papers primarily feature her sketches done in pencil, pen, watercolor and pastel. Also included in this collection are personal letters, various printed materials as well as examples of her illustration work.

The papers of art critic Emily Genauer measure 11.4 linear feet and date from circa 1920 to 1990. Found within the papers are correspondence with artists, gallery owners, and friends; extensive writings; research and reference files; personal business records; and photographs. Notable correspondents include David Aronson, Mrs. Max Beckman, Isabel Bishop, Dorothy Carnegie, Marc Chagall, Salvatore Dali, Stuart Davis, Martha Graham, Harry F. Guggenheim, Irene Rice Pereira, Clyfford Still, Rufino Tamayo, and Frank Lloyd Wright, among many others.

The papers of painter Alexander Brook measure 4.3 linear feet and date from 1900-1982. Found within the papers are biographical material; personal and professional correspondence; writings; personal business records; printed material; scrapbooks; artwork; and photographs of Brook, his family and friends, and his work.

The records of New York City Kraushaar Galleries measure 91.9 linear feet and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.

Collection documents the manufacture of both freshwater pearl and plastic buttons in Muscatine, Iowa, including at least 12 different companies from primarily 1925 to the 1960s.