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- Creators:
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Davidson, Eric H., 1937-
- Dates:
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1958-1984
- Size:
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73 Sound tape reels
- Collection ID:
- CFCH.DAVID
- Repository:
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Ralph Rinzler Folklife Archives and Collections
This collection contains 73 open reel tapes, made by Eric H. Davidson between 1958-1984, featuring the traditional music of Southern Appalachia.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 23-July 4, 2000
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2000
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
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1847-1975
- Size:
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251 Boxes
- Collection ID:
- NMAH.AC.0300.S04
- Repository:
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Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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circa 1870-1989
- Size:
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25 Boxes
The subseries contains black and silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.08
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Underwood & Underwood
- Dates:
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1895-1921
- Size:
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160 Cubic feet
- Collection ID:
- NMAH.AC.0143
- Repository:
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Archives Center, National Museum of American History
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active fi...
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- Creators:
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Smithsonian Institution. Office of Product Development and Licensing
- Dates:
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circa 1974-1999
- Size:
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39 cu. ft. (39 record storage boxes)
- Collection ID:
- Accession 00-112
- Repository:
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Smithsonian Institution Archives
This accession consists of Smithsonian Institution Engagement Calendar correspondence, design concepts, solicited bids, and production information; product development and marketing information, licensing contracts, and royalty agreements with private manufacturers; records documenting the American Pacific Enterprises quilt controversy; p...
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- Creators:
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Gardner, Alexander, 1821-1882
- Dates:
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1866-1868
- Size:
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61 Photographic prints
- Collection ID:
- NMAI.AC.077
- Repository:
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National Museum of the American Indian
Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations. This collection contains 61 albumen prints that were shot by Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Photographs depict American Indian tribes and Peace Commissioners involved in the 1868 Fort Laramie Treaty; photographs shot along the Union Pacific Railway, Eastern Division in 1867; and photographs of American Indian delegations visiting Washington, D. C. from 1866-1868.
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- Creators:
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National Air and Space Museum. Archives Division.
- Dates:
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Ongoing
- Size:
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240 Cubic feet
- Collection ID:
- NASM.XXXX.1183.A
- Repository:
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National Air and Space Museum Archives
The Technical Reference Files comprise an artificial collection that currently contains 1,900 cubic feet of aviation and space related materials, organized in 22 subject series. File materials include photographs, press releases, clippings, correspondence, reports, and brochures, on individuals, organizations, events, and objects.
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1814-1958
- Size:
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12.16 Cubic feet (consisting of 25 boxes, 13 folders, 10 oversize folders, 2 map case folders, 2 flat boxes (partial).)
- Collection ID:
- NMAH.AC.0060.S01.01.Stoves
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Stoves and Heating Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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National Air and Space Museum. Assistant Director for Exhibits
- Dates:
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circa 1963-1986
- Size:
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17.5 cu. ft. (14 record storage boxes) (1 tall document box) (1 tube box) (15 oversize folders)
- Collection ID:
- Record Unit 352
- Repository:
-
Smithsonian Institution Archives
These records provide documentation of the creation and preparation of exhibits for the most important period in the history of the National Air and Space Museum (NASM) - the planning, fabrication, and installation of two dozen major galleries for the new museum building, which opened in 1976. Also included is material on exhibits in the ...