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- Creators:
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Curtis, Edward S., 1868-1952
- Dates:
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circa 1895-2001
bulk 1898-1951
- Size:
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86 Linear feet
- Collection ID:
- NAA.2010-28
- Repository:
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National Anthropological Archives
The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...
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- Dates:
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circa 1850-2006
- Size:
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59 cu. ft. (59 record storage boxes) (10 oversize folders)
- Collection ID:
- Accession 06-225
- Repository:
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Smithsonian Institution Archives
This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references ...
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- Creators:
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Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
More … - Dates:
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1883-1998
- Size:
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10 Cubic feet (30 boxes)
- Collection ID:
- NMAH.AC.0791
- Repository:
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Archives Center, National Museum of American History
Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
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circa 1870-1989
- Size:
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25 Boxes
The subseries contains black and silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.08
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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Harrington, John Peabody, 1884-1961
- Dates:
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1907-1959 (some earlier)
- Size:
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683 Linear feet
- Collection ID:
- NAA.1976-95
- Repository:
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National Anthropological Archives
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
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Robbins, Warren M.
- Dates:
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circa 1927-2009
- Size:
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83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
- Collection ID:
- Accession 11-001
- Repository:
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Smithsonian Institution Archives
These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...
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- Creators:
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Bulliet, C.J. (Clarence Joseph), 1883-1952
- Dates:
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circa 1888-1959
- Size:
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34.6 Linear feet
- Collection ID:
- AAA.bullclar
- Repository:
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Archives of American Art
The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.
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- Dates:
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1887-1923
- Size:
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1.81 cu. ft. (3 document boxes) (1 half document box) (3 microfilm reels)
- Collection ID:
- Record Unit 7117
- Repository:
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Smithsonian Institution Archives
The papers of William Louis Abbott consist of letters to Smithsonian curators and specimen lists, 1892-1917; letters to his mother and sister, 1887-1923; photographs taken by Abbott in the field, 1890-1923; and some miscellaneous material. In describing the individual pieces of this collection, particular attention was paid to material relati...
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- Creators:
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Stewart, T. D. (Thomas Dale), 1901-1997
- Dates:
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1875-1991, bulk 1931-1991
bulk 1927-1991
- Size:
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65 Linear feet
- Collection ID:
- NAA.1988-33
- Repository:
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National Anthropological Archives
Thomas Dale Stewart was a physical and forensic anthropologist and worked at the Smithsonian National Museum of Natural History from 1931 until his death in 1997. He worked under Ales Hrdlicka until 1943, became the head curator in 1960, director of the museum in 1962, and retired in 1971. Stewart's research interests included physical and forensic anthropology and archaeology, mostly in North and South America. He also worked with the F.B.I. frequently to aid in homicide investigations, and worked extensively with the U.S. Army to identify skeletal remains from the Korean War in Operation Glory. The Thomas Dale Stewart Papers primarily deal with his life and career at the Smithsonian, particularly his research projects and publications between 1931 and 1991. Materials consist mainly of correspondence, photographic material, dossiers based on writings and research projects, and administrative files.