446 records — Page 9 of 45
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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
circa 1963-1988
Size:
5 cu. ft. (10 document boxes)
Collection ID:
Record Unit 420
Repository:
Smithsonian Institution Archives

These records consist of biographical files collected by the Office of Public Affairs primarily for the use and convenience of that office. Like many biographical files, the records were added to as bits of information were collected, from the newspaper, from press releases, from The Torch, or from SI announcements. The more important figures...

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Dates:
1865–1870
Size:
28 Reels
Collection ID:
NMAAHC.FB.M1912
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 28 rolls of microfilm described in the NARA publication M1912. These digital surrogates reproduced the records of the Texas Field Offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870, including previous unfilmed records of the Office of the Assistant Commissioner, and records of the office of staff officers and subordinate field offices. These records consist of bound volumes and unbound records, including letters received and endorsements, monthly school reports, and other records relating to freedmen's complaints and contracts.

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Creators:
Jamison Thomas Gallery
Dates:
1940-2000
bulk 1980-1995
Size:
27.2 Linear feet
0.001 Gigabytes
Collection ID:
AAA.jamithog
Repository:
Archives of American Art

The Jamison Thomas Gallery records measure 27.2 linear feet and 0.001 Gb and date from 1940-2000, with the bulk of the records dating from 1980-1995, reflecting the years the Gallery operated in Portland Oregon. About 1/2 of the records consist of artists' files of artists represented by the gallery and artists of interest. Also found are administrative records, client and collector files, financial and legal records, exhibition files, and publicity files.

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Creators:
Beach, Chester, 1881-1956
Dates:
1846-1999
bulk 1895-1999
Size:
7.32 Linear feet
Collection ID:
AAA.beacches
Repository:
Archives of American Art

The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

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Dates:
1865–1872
Size:
23 Reels
Collection ID:
NMAAHC.FB.M1901
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 23 rolls of microfilm described in the NARA publication M1901. These digital surrogates reproduced the records of the Arkansas staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, applications of freedmen for rations, and other records relating to freedmen's claims and homesteads.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1925-1949
Size:
78.77 cu. ft. (65 record storage boxes) (1 half document box) (90 3x5 boxes) (1 oversize folder)
Collection ID:
Record Unit 46
Repository:
Smithsonian Institution Archives

This record unit traces the operation of the Smithsonian from 1925 to 1949. It contains records from the last years of Secretary Charles D. Walcott's administration, perhaps most notably the ambitious but abortive fund raising campaign to add $10,000,000.00 to the Smithsonian's endowment. The Depression and consequent cut-backs in government ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1664-1967
Size:
8.17 Cubic feet (consisting of 17 boxes, 11 folders, 24 oversize folders, 2 map case folders. )
Collection ID:
NMAH.AC.0060.S01.01.Books
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Books forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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446 records — Page 9 of 45