Joseph Cornell Study Center Collection
186 Nitrate negatives
The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.
Bobcat Company Records
56 Cubic feet (128 boxes, 8 oversized folders)
10 Electronic discs (CD)
5 Electronic discs (DVD)
14 Videocassettes (BetacamSP)
38 Videocassettes (U-matic)
9 Videocassettes (VHS)
1 Videocassettes (Digital Betacam)
The Bobcat Company Records document a post-war invention process and American manufacturing system through the case study of a dynamic machine, the Bobcat skid-steer loader. The records focus primarily on Bobcat's products, marketing, and advertising through product literature, photographs, advertisements, posters, newsletters, and audiovisual materials.
Braunstein/Quay Gallery records
The Braunstein/Quay Gallery records measure 36.9 linear feet and date from 1956 to 2011. The records consist of administrative records, artist files, exhibition and event files, and financial records that shed light on the gallery's operations through correspondence, price lists, inventories, printed material, born digital material, photographs, and more.
Ivory Soap Advertising Collection
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.
Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Joseph H. Hirshhorn Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Smithsonian Folklife Festival records: 1999 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Henry John Drewal and Margaret Thompson Drewal Collection
Drewal, Margaret Thompson
10,617 Copy slides
Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.
George Deem papers
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.
Herbert Waide Hemphill papers
The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.