This accession consists of programs created for the Smithsonian Channel that cover a range of topics including aeronautics, astronautics, science, nature, and American culture and history. Series and programs include "Aerial America" "All Dolled Up;" "America Wild and Wacky;" "America's Greatest Monuments;" "America's Hangar;" "America's Treasures;" "America's Yellowstone;" "Animal Winter …
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
The materials in the subseries consists of black and white silver gelatin negatives.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Myron Bement Smith Collection
The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Carol Bier and Lionel Bier Collection
Bier, Lionel D., 1942-2004
Photographs taken by Carol Bier and Lionel Bier, comprising two binders of black and white 35mm negatives and contact sheets as well as a collection of images cut out from contact sheets and organized by site, documenting both pre-Islamic and Islamic Iranian architectural monuments, taken 1975-1976. Focus primarily on the Sasanian sites …
This accession consists of contact sheets for photographs of events occurring mostly in the Washington, D.C., area. Many of these images were created for the annual exhibit "History as Seen from the National Museum of American History," later renamed "The Year in Pictures: As Seen from the National Museum of …
This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references to other materials in the collection. Buildings …
Lynn Turner Family Photographs
Filson & Son
Bairstow, J. B.
This collection consists of two photograph albums and a number of individual photographs (tintypes and cabinet prints, all portraits), from the turn of the century to approximately 1918. The cabinet prints are from Pennsylvania and Ohio studios. Most of the snapshots seem to have been taken in and around Washington, D.C.
A. Contini & Son records
Correspondence (1916-1981); business records (1922-1971); notes (undated and 1929); interview transcript (1978); printed material (1929-1981); and photographs (1920-1945).
Jan Faul "Potomac : East and West" (portfolio of photoprints)
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.